https://sonicrubbish.com sonic rubbish Sun, 26 Nov 2023 01:00:37 +0000 https://sonicrubbish.com en https://sonicrubbish.com/KINDLING Sun, 26 Nov 2023 01:00:37 +0000 sonic rubbish https://sonicrubbish.com/KINDLING KINDLING explores the intersection of digitally shared sound, printed image and text, worked together or placed against the other to see/hear what might happen. Through this process, KINDLING works to open a site of conversation for a community of makers, listeners and readers. While it’s material form may be less-than-precious, ephemeral and even recyclable, we hope the ideas, feelings or actions it may encourage will remain. <img width="1000" height="1315" width_o="1000" height_o="1315" data-src="https://freight.cargo.site/t/original/i/7f00c817497a7485dabf46665fbe06554c4d34979fe8b595fb0d0a9a79553fdb/Kindling-01_rough-04_front-gray.jpg" data-mid="197827884" border="0" data-scale="88" src="https://freight.cargo.site/w/1000/i/7f00c817497a7485dabf46665fbe06554c4d34979fe8b595fb0d0a9a79553fdb/Kindling-01_rough-04_front-gray.jpg" /> <img width="1000" height="1315" width_o="1000" height_o="1315" data-src="https://freight.cargo.site/t/original/i/24a23ffe350af79f663a6fbccea91ccea41d8faefcbedd2bc6a6d55c6a347de0/SETH-COOKE_How-Buildings-Learn_KINDLING-02_front-page.png" data-mid="211665398" border="0" data-scale="88" src="https://freight.cargo.site/w/1000/i/24a23ffe350af79f663a6fbccea91ccea41d8faefcbedd2bc6a6d55c6a347de0/SETH-COOKE_How-Buildings-Learn_KINDLING-02_front-page.png" /> <img width="1181" height="1553" width_o="1181" height_o="1553" data-src="https://freight.cargo.site/t/original/i/354ae768648958e3ece5e6c273e17f755dbf82ac380aa9b7ca738a3425b13c6e/KINDLING_AREK-FA-V2_front.png" data-mid="222298520" border="0" data-scale="88" src="https://freight.cargo.site/w/1000/i/354ae768648958e3ece5e6c273e17f755dbf82ac380aa9b7ca738a3425b13c6e/KINDLING_AREK-FA-V2_front.png" /> <img width="3414" height="4489" width_o="3414" height_o="4489" data-src="https://freight.cargo.site/t/original/i/e02ff57f26d5e587e35f04d467936cc4b94d022ff144f1d92f68d34d144ed6a7/K-4_Twice-Removed_Front.png" data-mid="239028156" border="0" data-scale="88" src="https://freight.cargo.site/w/1000/i/e02ff57f26d5e587e35f04d467936cc4b94d022ff144f1d92f68d34d144ed6a7/K-4_Twice-Removed_Front.png" /> KINDLING is a new venture for me, publishing the work of other artists, which I hope will evolve to explore new forms of what a “sound-art publication” might be and develop into a site for a form of sound-community conversation through making. Each edition takes form as a printed newspaper (289x380m) accompanied by a downloadable digital audio work. While KINDLING will be tightly curated, reflecting my own particular interests and biases, I will remain open to proposals and ideas. However, my funds are limited, and while I hope KINDLING'S scope will be expanded and broad, it will also remain somewhat specific. If you have a project or an idea which plays with or challenges the relationship between sound-image-text; that re-thinks what form published sound-based works might take; and is not a document of something else, but acts as the artwork itself … then we would be very interested to hear from you. If you have a fantastic piece of music with an equally great cover-image for its packaging, we are perhaps not the project for you. Thank you for your understanding. All KINDLING editions will only be available in physical form with digital audio files via a download code until sold out. After which they will be made available digitally. SONIC RUBBISH is currently away until March 1st 2026. Postage will not be available until then. My apologies for any inconvenience. eamon. All current editions of KINDLING can be purchased from their individual edition pages: #01 - Parazoan Mapping #2 - Taku Unami and Eric La Casa (SOLD OUT) #02 - How Buildings Learn - Seth Cooke #03 - Swan In The Past - Arek Gulbenkoglu #04 - Twice Removed - TJ Norris and Jos Smolders or as a bundle of #2+#3+#4 here: (additionally up to 7-8 copies can be sent for the same postage cost as a single edition. Please note that newspapers will be folded for postage.) or via our Sonic Rubbish Bandcamp page For more info email eamon AT sonicrubbish DOT com. KINDLING editions are also available from Rope Editions - South Korea Omega Point - Japan Shamefile Music - Australia Sound Ohm - Italy Les Presses du réel - France Naturestrip - Australia Parallax Records - Japan Repressed Records - Australia <img width="4000" height="2035" width_o="4000" height_o="2035" data-src="https://freight.cargo.site/t/original/i/5ba1171005bd66d21ab26823a71be596f6575beba33c0e8cb33f848b51d24f35/KND_bundle_2-4.jpg" data-mid="242089081" border="0" src="https://freight.cargo.site/w/1000/i/5ba1171005bd66d21ab26823a71be596f6575beba33c0e8cb33f848b51d24f35/KND_bundle_2-4.jpg" /> https://sonicrubbish.com/material-studies-2-3 Fri, 04 Aug 2023 03:09:44 +0000 sonic rubbish https://sonicrubbish.com/material-studies-2-3 material studies #2 + #3 by TARAB Material Studies #2 + #3 &nbsp;continue a series of explorations and play with simple materials, started with 2019’s MS#1 released on hemisphäreの空虚. MS#2 and MS#3 sharpens its focus by sticking with one source material or process. MS#2 came about through the introduction of minimal discarded everyday materials to the artificial movement of air via an air-conditioning unit, and MS#3 from the small energetic forces generated by home fermentation, a microphone and a pair of digital scissors.&nbsp; Material Studies #2+#3 are not intended as a documents of objects and their interactions, but result from working with these assembled situations and the resulting recordings as material, to listen for what might be shaped through these generative processes. recorded 2019. arranged 2020-21. re-arranged 2023. Hopefully there will be more material studies to come …Serving suggestion: please play loud on speakers. MS#2 originally released on 3” CD-r by taalem. Available here ... taalem.bandcamp.com/album/material-studies-2-alm-140 <img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/056f47ef72d56dde21d1893557aa739551c4b0ddcaba5b02be90b93abf8994c4/material-studies.png" data-mid="186976661" border="0" src="https://freight.cargo.site/w/1000/i/056f47ef72d56dde21d1893557aa739551c4b0ddcaba5b02be90b93abf8994c4/material-studies.png" /><img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/34ff7af107f19a836a6c4faae56b9c1baaadfa4e07da45a4edef3af753c220bb/MS02_03.png" data-mid="186976190" border="0" src="https://freight.cargo.site/w/1000/i/34ff7af107f19a836a6c4faae56b9c1baaadfa4e07da45a4edef3af753c220bb/MS02_03.png" /> <img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/475ba2fbf573536a55cd49ff6906cc5ecb0912192226f8445f169c6afd5c9d2d/material-studies_03.png" data-mid="186976663" border="0" src="https://freight.cargo.site/w/1000/i/475ba2fbf573536a55cd49ff6906cc5ecb0912192226f8445f169c6afd5c9d2d/material-studies_03.png" /><img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/015fa3dfc7af8693b92e4c14683ba3f5c881c8bc19171500c051633e09937cf8/Foil.png" data-mid="186977076" border="0" src="https://freight.cargo.site/w/1000/i/015fa3dfc7af8693b92e4c14683ba3f5c881c8bc19171500c051633e09937cf8/Foil.png" /> https://sonicrubbish.com/HOLES Sat, 16 Jan 2021 03:58:29 +0000 sonic rubbish https://sonicrubbish.com/HOLES HOLES <img width="3354" height="1492" width_o="3354" height_o="1492" data-src="https://freight.cargo.site/t/original/i/55fbc18d77c04ba521154ba36b70af573a64b7d0d072e446101a5ede8746a087/HOLES_tarab.png" data-mid="99679071" border="0" src="https://freight.cargo.site/w/1000/i/55fbc18d77c04ba521154ba36b70af573a64b7d0d072e446101a5ede8746a087/HOLES_tarab.png" /><img width="1676" height="1483" width_o="1676" height_o="1483" data-src="https://freight.cargo.site/t/original/i/877f53fde8929ac8b56667557725f68ea2e7be3b2e41b8af965aaa1571099a81/HOLES_inside-texture_BW.png" data-mid="95269232" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/877f53fde8929ac8b56667557725f68ea2e7be3b2e41b8af965aaa1571099a81/HOLES_inside-texture_BW.png" /> HOLES by TARAB all sounds borrowed from various rooms, the things that happened in them, and those that come in from outside. collected and re-arranged 2020. some recordings initially made for the Amplify 2020 series, others not. Master: Phil Julian. Print: Ben Owen/Middle Press. HOLES were formed as part of a research project undertaken with support from RMIT, Melbourne. Thank you: Philip Samartzis, Michael Graeve, Jon Abbey, Justas Pipinis, Martin Kay, Yvan Etienne, Francisco Meirino, Emily Jones, Helki Sprod, Simon Whetham, Eric La Casa, David Prescott-Steed, RMIT and everyone from Le Lieu Multiple, Poitiers. Reviews: Some outside sounds, captured from inside rooms… some sounds from inside rooms… so things that happened in rooms. Ah, so that must mean… um, anything? Yeah, anything. That’s no information at all. Thanks for nothin’, Sprod. We’re left to confront that actual sounds and their arrangement in chronological space. Trying to peg the “things that happened” to generate these sounds is foolish. Tarab is skilled at capturing rich, detailed sonic events and parsing them down to just their most essential elements. But the title, “Holes”, does a lot of work in setting up the piece. On this album, sounds are separated into discrete clusters. Quick jabs of metal rattling, open-air, doors closing and machine grind are distilled to a seconds-long (or shorter!) rush, separated by pregnant silences. We can hear jumbles of metal bashing, or the seemingly random percussion of an auto repair shop, fiercely jumbled television announcers… sharing a thin border with closely-recorded footfalls, gale-force wind, an empty foyer. Sprod plays with volume mercilessly and often; a sound-event might be REAL LOUD AND UPFRONT as if it’s boxing you about the ears, then rapidly cut to the same sound but quiet and distant, then cut again to a sideways view of the same sound, all in a moment with silence on either end… one gesture describing decisive motion. I’m reminded of Fergus Kelly’s work crossed with Runzelstirn &amp; Gurgelstock’s violent focus… the ears of a documentary filmmaker on the body of a martial arts expert. The title seems to refer to the open space that gapes around each event… and sometimes, around each individual sound. This music breathes like a living animal. (Howard Stelzer - Vital Weekly) https://sonicrubbish.com/APOPHENIA Sun, 01 Dec 2019 02:39:04 +0000 sonic rubbish https://sonicrubbish.com/APOPHENIA APOPHENIA <img width="3356" height="1469" width_o="3356" height_o="1469" data-src="https://freight.cargo.site/t/original/i/b8432de5a7e1444f344198261d76060b5b0abd3843d9c10d32340dc3f53f15ca/APOPHENIA_front.png" data-mid="55759817" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/b8432de5a7e1444f344198261d76060b5b0abd3843d9c10d32340dc3f53f15ca/APOPHENIA_front.png" /><img width="1200" height="527" width_o="1200" height_o="527" data-src="https://freight.cargo.site/t/original/i/a50597d5d83da289645a9c474ab7614c48f813424fe935d7b414fbc53540c275/APOPHENIA_inner.png" data-mid="55759818" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/a50597d5d83da289645a9c474ab7614c48f813424fe935d7b414fbc53540c275/APOPHENIA_inner.png" /> "http://sonicrubbish.bandcamp.com/album/apophenia">Apophenia by TARAB To make APOPHENIA I have borrowed sounds made by people and some by things; some sounds I initiated myself.&nbsp; All sounds collected 2012-19.&nbsp; Arranged and de-arranged 2016-19. Mastered by Giuseppe Ielasi. Elements of this piece first appeared on the Aposiopèse compilation VIII. Sounds were then borrowed, discarded and re-arranged into a mix for the Ears Have Ears radio program (RIP). Further additions and subtractions were made, and over time it all de-arranged into the form it is in here. Thank you: air conditioning units, bicarb soda, malfunctioning white goods, alleyways, constructions sites, trains, escalators, plastic bags, hollow vessels, floor boards and empty rooms. Thank you: Andre Piguet, Matthew Davis, Emily Jones, Helki Sprod, Simon Whetham, Pierre Judon, Scarlett Di Maio, Brooke Olsen, Juniper Good-Knight, LLara Goodall, Carey Knight, Leon Van De Graaf, Julian Hocking, Michael Prior, David Prescott-Steed, Thomas Tilly, Francisco Meirino. reviews: It is too easy to lean on either the personal or geographic specificity of field recordings as a justification for their existence. The assumption is that the recordings themselves gain more significance as a kind of document of—or window into—a particular place or person’s experience. The title of this release, Apophenia, seems like a direct commentary on this tendency, apophenia being the all-too-human phenomenon of finding connections or meaning in unrelated, meaningless coincidences. On this album, Tarab forestalls any such effort by openly acknowledging that his source material comes from a number of disparate persons and places. Against the cliché image of the sound artist as the lone figure, stolidly lugging his equipment through abandoned factories and babbling brooks, whacking a steel chair with a cinderblock and muttering yes, excellent…, Tarab invites us to imagine the music as a fractured collage of many environments and experiences, intertwining to produce impossible juxtapositions, like a sonic document of what never did or could exist. In this way, our attention is freed from any effort to identify the sources of the sounds, better to enjoy the meticulous arrangements. These pieces are both elegant and sparse, making ample use of silence both to frame the music and to underscore their fragmentary, denatured status as found materials. This is both a serious, challenging album and an excellent introduction to Tarab’s body of work. —Mark Cutler - Tone Glow april 2020 The title is so clever, it nearly derails the usefulness of a review. Apophenia, according to The Skeptic’s Dictionary, is “the tendency to mistakenly perceive connections and meaning between unrelated things”. Such distance from authorial intent invites listeners to hear this as pure music disconnected from the source that produced the sound. Eamon Sprod, the artist behind the Tarab moniker, works predominantly (though not exclusively) with field recordings, as loaded a sound material as any. The temptation for a listener is to match sounds to their source and attempt to read meaning there. But Sprod makes it clear in the title that such an interpretation would have as much validity as finding images in clouds or constellations. So never mind the suggestive litany of source sounds provided by the artist: bicarb soda, air conditioning units, escalators, floorboards and so on. Instead, let’s talk about the industrial immensity and finely controlled drama of the piece. The music seems endlessly detailed, both legible and obscured&nbsp; at the same time, with a stellar control of tension. Not a second seems to be on autopilot. “Apophenia” begins with close crinkles, a swarm of small sounds that wrap themselves around the stereo field like angry gnats. This pulls a listener in, but Tarab is not about to let anyone rest; giant blasts hammer jarring juxtapositions between inhuman roar and reverberant emptiness. Metal bashing becomes hyperventilating, events heard at a distance are suddenly jump-cut&nbsp; screaming in your face and just as suddenly warped sideways into multi-layered acoustic squeaks. Sections full of soft ambient howl are rudely interrupted by teeny sounds wrapped in gaspingly intimate silence. Delicate sections are rapidly intercut with screaming peals of heavy weather. There are sections of recognizable rain, vocalizations (but not words), and human hands acting upon objects, but those do little to diminish the overall mystery and suspense. “Apophenia” concludes on a surprising note, twelve minutes of low frequency growl, the only track that remains in roughly the same sonic area for its duration, granting listeners time to rest&nbsp; and reflect after the death-defying bumper car ride that preceded it. Howard Stelzer - VITAL WEEKLY https://sonicrubbish.com/HOUSEKEEPING Sun, 18 Nov 2018 07:03:09 +0000 sonic rubbish https://sonicrubbish.com/HOUSEKEEPING HOUSEKEEPING <img width="1654" height="1476" width_o="1654" height_o="1476" data-src="https://freight.cargo.site/t/original/i/4eeea3ac6063bf800ba125c4d763d060e3d24cd66c44295d9080f2a661e5b5a7/HOUSEKEEPING_front-cover.png" data-mid="28752217" border="0" src="https://freight.cargo.site/w/1000/i/4eeea3ac6063bf800ba125c4d763d060e3d24cd66c44295d9080f2a661e5b5a7/HOUSEKEEPING_front-cover.png" /> <img width="1654" height="1476" width_o="1654" height_o="1476" data-src="https://freight.cargo.site/t/original/i/d2d385161cc867d73bd30acf562bca9c7a0866d8b3e11bd23bb1abc7a46424ed/rear.png" data-mid="28752219" border="0" src="https://freight.cargo.site/w/1000/i/d2d385161cc867d73bd30acf562bca9c7a0866d8b3e11bd23bb1abc7a46424ed/rear.png" /> HOUSEKEEPING by TARAB I am a collector of rubbish: not an archivist, but in a small way, a hoarder. Clutter seems to be attracted to me. HOUSEKEEPING was originally conceived as a project to finally put to use some of this amassed junk, and then to discard it all once again. It first took shape as an installation work for 8-channel audio, found objects, speakers, transducers, desk, chair and room; presented at Blindside, Melbourne, August 2017. Since then it has slowly shifted itself into this CD. However rather than a documentation of an installation, this iteration has been arranged from the debris collected during the process of making one. Sound was gathered together from various raw audio materials; object manipulation; rehearsals, studio tests and failures; recordings of both installation and de-installation; the final composition files ; recordings of the installation in-situ; the empty gallery space; the Nicholas Building (the home of Blindside); a performance made with Clinton Green enacted to close the installation. All collected materials were then cut up, tumbled around and de-arranged into the current form it finds itself in here. Mastered by A.F. Jones at Laminal Audio Much thanks to: Martina Copley and all from Blindside, Matthew Davis, Emily Jones, Helki Sprod, Clinton Green, Rohan McLeod and everyone who came to listen.... <img width="1200" height="592" width_o="1200" height_o="592" data-src="https://freight.cargo.site/t/original/i/35e8f7aa7ac532cbfee86daa163a88f523b71e381d00b00a0ad917bf42eb3f78/HOUSEKEEPING-inside.JPG" data-mid="32318517" border="0" src="https://freight.cargo.site/w/1000/i/35e8f7aa7ac532cbfee86daa163a88f523b71e381d00b00a0ad917bf42eb3f78/HOUSEKEEPING-inside.JPG" /> <img width="663" height="592" width_o="663" height_o="592" data-src="https://freight.cargo.site/t/original/i/1cab3c4552f771b69d7d3b5dca1dd79d09d30f2011737a842a633b2a8a39b2e0/HOUSEKEEPING-front.JPG" data-mid="30834392" border="0" src="https://freight.cargo.site/w/663/i/1cab3c4552f771b69d7d3b5dca1dd79d09d30f2011737a842a633b2a8a39b2e0/HOUSEKEEPING-front.JPG" /><img width="1200" height="592" width_o="1200" height_o="592" data-src="https://freight.cargo.site/t/original/i/c118cdc620cdaf18b7453edcdb51389715b9c48239cffb756c97d77a89810a15/HOUSEKEEPING-reverse_disk.JPG" data-mid="30834344" border="0" src="https://freight.cargo.site/w/1000/i/c118cdc620cdaf18b7453edcdb51389715b9c48239cffb756c97d77a89810a15/HOUSEKEEPING-reverse_disk.JPG" /> Reviews:Though Tarab’s work is based mainly on field recordings, it’d be a mistake to think of it as documentary or sound ecology. On his latest album, composer Eamon Sprod jams his source sounds together into action-heavy audio dramas that leap from one intense space to another in a way that demands active, attentive listening. The sudden shifts in tone, volume and character are ideal for headphones. Maybe don’t listen before going to sleep, though. This is music that delights in subverting expectations over and over again. The dull drone of people in a reverberant hallway settles into a lull for just long enough to make the punctuating slam of ear-boxing trash hilariously startling. Doors shut, the wind sings, motors whine… a distant murmur comes slowly into focus and then suddenly runs straight at the listener. The impetus for this work was Sprod dealing with his accumulated clutter, using up the debris one last time before he throws it away. Between its first iteration as an 8-channel installation to the current 2-channel distillation, the debris generated by the process has also been folded back into the music. Somehow, the three-dimensional character of the multi-channel installation is preserved on this stereo composition. All the junk swirling inside “Housekeeping” seems so tactile that at one point I had to take my headphones off to make sure something hadn’t fallen off a shelf in my living room. - Howard Stelzer - VITAL WEEKLYTarab (Eamon Sprod) has always been a unique organizer of found sound and field recordings, back as far as his first recording, 'Surfacedrift' (2004). 'Housekeeping' continues down that path, this time employing, as one might surmise from the cover image, numerous items accumulated in his home over the years. Sometimes the sounds are more or less recognizable--the clatter of smallish, thin metallic items such as silverware--often they are not. The cascade of noise that greets the ear on the first track is wondrous, especially when experienced at high volume. Tarab manages to attain extreme degrees of depth and transparency while maintaining sonic richness--a seriously impressive range of timbres. It's kind of thrilling, in fact, not an adjective normally applied to field recording collages, but this has the hurtling excitement of a dangerous amusement park ride (alternatively, like running with scissors). The second track contains a greater ration of hums and deep rumbles, sourced from who knows where. The edits throughout are excellently chosen, suddenly shifting to blurred conversation, back into a hyperactive and explosive kitchen, back into billowy, dark clouds; the disc ends in a buzzsaw--or a blender. Excellent work. - Brian Olewnick - Just OutsideThe sounds on this CD however are not simply a documentation of that installation. Instead, he’s assembled just about every single piece of audio documentation he could find that was associated with the total effort, including the original sound-generation experiments (and failures, and out-takes – I kid you not), plus recordings of the gallery space before, during and after the installation; an associated performance piece; and recordings of the finished installation work. He even recorded the sounds of the Gallery when it was empty, as an index of how thorough he intends to be when he gets his sonic hoover working. The CD Housekeeping may present fragments from all of the above, edited and re-edited into a jumbled chaotic mess. Junk turned into yet more junk – or to be more precise, devising a way of working that is sympathetic to the source materials. To be even more precise, it could be that Tarab is so attuned to the essence of serendipity that he feels compelled to express that inner “truth” through creating works like this, whose comprehensive sweeping actions manage to contain something of the untidy, fragmented nature of our modern environment – or at least those parts of it which we throw away, overlook and neglect. I’m sure this could all be read as a grand metaphor for something bigger. And even if it can’t, this is a very compelling listen which I enjoyed enormously. - Ed Pinsent - The Sound Projector https://sonicrubbish.com/TARAB Sun, 18 Nov 2018 07:03:09 +0000 sonic rubbish https://sonicrubbish.com/TARAB <img width="4894" height="1000" width_o="4894" height_o="1000" data-src="https://freight.cargo.site/t/original/i/513bb6d36d458538d9f60b27da2cbd8aff90eac95f9bf3871b146d82767e9266/DSCF4804_crop-03.JPG" data-mid="213466011" border="0" src="https://freight.cargo.site/w/1000/i/513bb6d36d458538d9f60b27da2cbd8aff90eac95f9bf3871b146d82767e9266/DSCF4804_crop-03.JPG" /> news publications installations + sites images Working with sound collected or generated from urban spaces Melbourne-based eamon sprod/TARAB pursues what might be called an anti-naturalist field recording practice. Shaping oblique narratives and listening spaces from within the gaps to be found in the everyday. Working to include everyday spaces as participants in aural experiences, rather than simply acting as their container. 
Through spatialised performance and installation, new speculative audio spaces are shaped within pre-existing physical space: compositions are shaped to be situated within the space formed through domestic listening&nbsp; with a pair of stereo speakers. Sound is introduced to space through the use of simple means. Discarded household items or physical elements of rooms are transformed into unique speakers or percussive sound generators. In turn, speakers are encouraged to move beyond their role as replicators of pre-existing sounds, instead to act as sounding things in themselves. &nbsp; <img width="206" height="188" width_o="206" height_o="188" data-src="https://freight.cargo.site/t/original/i/375e2f5226c496c6bc97284227c147c521ae3438ea7c8eda5bd8b9a4d04dddde/tarab_bottles-and-cans-05.jpg" data-mid="28752353" border="0" src="https://freight.cargo.site/w/206/i/375e2f5226c496c6bc97284227c147c521ae3438ea7c8eda5bd8b9a4d04dddde/tarab_bottles-and-cans-05.jpg" />contact:eamon AT sonicrubbish DOT com bandcamp: sonicrubbish.bandcamp.comtarab.bandcamp.com soundcloudsoundcloud.com/tarab3058 facebook: sonicrubbish <img width="3264" height="2611" width_o="3264" height_o="2611" data-src="https://freight.cargo.site/t/original/i/d3074bdfe8be2ee317d058376912bef666af3255274d004de3b13e568415a571/eamon_chairs.JPG" data-mid="213428333" border="0" src="https://freight.cargo.site/w/1000/i/d3074bdfe8be2ee317d058376912bef666af3255274d004de3b13e568415a571/eamon_chairs.JPG" /> Conversation with Cedric Peronnet - Toulouse, France. Feb 2020. &nbsp;www.kaon.org publications FOIL VOID JOIN AVOID :&nbsp;Aposiopèse Material Studies # 2 + #3&nbsp;: sonicrubbish Crawlspace - collaboration with David-Prescott Steed : Unfathomless ROOMS : Ferns Recordings Material Studies #2 : taâlem&nbsp; HOLES : sonicrubbish 41 Containers : Amplify 2020: Quarantine series Apophenia : sonicrubbish&nbsp; Material Studies #1 : &nbsp;Hemisphäreの空虚 Friche : Transition - collaboration with Eric La Casa : Swarming HOUSEKEEPING : sonicrubbish OBEX - collaboration with Artificial Memory Trace : Crónica An incomplete yet fixed idea : Aposiopèse Gleaners &nbsp;: Crónica Idée fixe : Nonlinear I'm Lost : 23five&nbsp; strata : &nbsp;unfathomless Shards of Splinters - Fragments of Scratches/Killustiku Killud - Kriimude Killud :&nbsp; Semperflorens. Acquiescence, La Rivière Series : Kaon Revenant: Zeltini - collaboration with Felicity Mangan, John Grzinich, Kaspars Kalninsh, Maksims Shentelevs : UnfathomlessTake All the Ships from the Harbour and Sail Them Straight into Hell &nbsp;: 23five Utility / &nbsp;Les Vibrations Dans La Masse De Son Roulement split 3” with&nbsp; Eric La Casa :&nbsp; Compost &amp; Height wind keeps even dust away : 23five surfacedrift : Naturestrip compilations Bidödaren, Ferns VIII, Aposiopèse. Framework 500, Framework Radio. Hear and Now, Parisonic + Magnetic Traces 2. Book and Audio CD. Swarming V-p V-f Is V-n, Wind Measures Recording. Framework 250 (root edition), Framework Radio. Magnetic Traces: A Survey Of French And Australian Sound Art, Swarming. Re:Recorded Fields - Three Locations, Recorded Fields. Compilations #3, Compost and Height. Tori no Kaigi [san], Trente Oiseaux. Tape Projects (Locked Groove), Tape Projects. Activating The Medium: 01.26.07, 23five Inc. Outer 04, Bus Gallery Overland, Naturestrip exhibitions 2026 Catachresis. Gallerygallery Inc. Brunswick, Melbourne. 2025 Social Objects. Small Talk with Justas Pipinis. Gallerygallery Inc. Brunswick, Melbourne. The Audio Foundation, Auckland, Aotearoa/New Zealand 2024 untitled. RunArtistRun. Melbourne. 2023 contained / espace. La Chaufferie, Haute Ecole Des Arts du Rhin, Stransbourg, France. Rooms within Rooms.&nbsp;Site-Eight. RMIT University, Melbourne 2021 I Am Outside. Living Museum of the West. Marybinong, Victoria 2020 Audiosphere. Sound Experimentation 1980-2020 (Group Show - Curated by Francisco Lopez).&nbsp; Centro de Arte Reina Sofía. Madrid, SpainUntitled (I Am Inside). Meat Market Stables. Melbourne. 2019 HOMEWORK private residence, Melbourne. 2017 Housekeeping&nbsp; Blindside, Melbourne. 2015 careful arrangements of sonic rubbish, Reheat festival, Kleylehof, Austria. Egress TCB, Melbourne. 2012 Waking of the Insects. West Space, Melbourne. Active Crossover. with Simon Wetham, Lizzie Pogson, Jacques Soddell. ICU Castlemaine. 2011 A transcendental fissure in the immanent fabric of things&nbsp; (Group Show - Curated by Bruce Mowson)&nbsp;Melbourne CBD Magnetic Traces&nbsp; (Group Show - Curated by Philip Samartzis and Eric La Casa) Les Instants Chavirés, Paris 2010 Everyday Internalised Rubbish, collaboration with Camilla Hannan. Sub12, Substation, Newport One day the rain will come collaboration with Camilla Hannan. West Wing, Melb Central 2009 Magnetic Traces&nbsp; in&nbsp; collaboration with Camilla Hannan (Group Show - Curated by Philip Samartzis and Eric La Casa) RMIT project space and West Space, Melbourne. Artefact collaboration with Camilla Hannan and Thembi Soddell. Totally Huge New Music Festival, Perth. 2006 Groundfault: archive of a decayed future, Seventh Gallery, Fitzroy. Map/Territory: archive of a decayed future, Victoria Park Gallery, Abbotsford 2005 HEX&nbsp; (Group show) Ethel Osbourne Hall, RMIT, Melb 2004 This Sudden East Listening Liquid Architecture. RMIT First Site, Melb 2002 The Silence, PB Gallery, Swinburne Institute of TAFE, Prahran selected performances 2026 Threshold : Abbotsford Convernt, Melbourne. European tour : Athens, Biel/Bienne, Lausanne, Grenoble, Valencia, Barcelona,&nbsp; Nantes, Bruxelles, Hamburg, Berlin. 2025 New Zealand tour :&nbsp;Auckland, Hastings, Wellington, Featherston, Christchurch, Lyttelton, Dunedin. 2023 Petersburg Art Space : Berlin, Germany. C3 :&nbsp;Milan, Italy. Lausanne Underground Film Festival : Salle des Fêtes. Lausanne, Switzerland. 2022 Audition #2: Composite Moving Image : Melbourne 1000ears : solo and collaboration with Clinton Green and Sally Ann McIntyre :&nbsp; Melbourne 2021 Quiet Noise : private residence : Melbourne I am Inside: Inhabitation Spatial Sound Showcase : McClelland Gallery : Langwarren, Victoria 2020 The Centerpoint #24 : Cinéma Bellevaux :&nbsp;Lausanne, Switzerland Le Diamant D’Or : Strasbourg, France Fatterschafft : WURM : Basel, Switzerland DAda : Toulouse, France Apologies in Advance : Cafe Oto. London, UK Fragment : Café Jehanne D’Arc : Metz, France Les Atelier Claus : Brussels, Belgium Centro Sociale : Hamburg, Germany SÉMINAIRE REFLEXIO 2020 : Synesthésie ¬ MMAINTENANT : Lecture + Performance : Saint-Denis, FranceLe Lieu Multiple: Planetarium @ Espace Mendès: Poitiers, France 2019 Ambulant Container:&nbsp; Long Play Cinema,&nbsp; Melbourne Roaring Forties: Contempory Art Tasmania, Hobart Ambulant Container: Magnet Spatial Studio, Melbourne Tilde Festival:Testing Grounds, Melbourne 2018 H0L0 : Brooklyn, New YorkLimited Resources : Muchmores : Brooklyn, New York Container : private site specific performance. Northcote. Expanding Room: Tape Projects, Melbourne. ToBeContinued: As part of 24hour live streamed performance. Curated by Stazione di Topolò, Italy. 2017 Atonal : Umbo. Zurich, Switzerland. Plattfon. Basel, Switzerland. Librairie HumuS. Solo and duo with Francisco Meirino : Lausanne, Switzerland. Cave 12. Geneva, Switzerland. HS63. Brussels, Belgium Data. Marseille, France Set/30'. Nantes, France Le Lieu Multiple, Espace Mendès France. Poitiers, France La Ferme de quincé. Rennes, France Ruisburo : De Ruimte. Amsterdam, Netherlands Cafe Oto. London, United Kingdom Long Play Cinema. Melbourne 2016 Dotolim: collaborative performance with Simon Whetham. Seoul. South Korea. Yokai SOHO: collaborative performance with Simon Whetham. Kyoto. Japan. Noooo Kity: collaborative performance with Simon Whetham. Osaka, Japan. Space Eauuu: collaborative performance with Simon Whetham. Kobe. Japan. Art Bamboo: collaborative performance with Simon Whetham. Yokohama. Japan. Soup Ochai: collaborative performance with Simon Whetham. Tokyo. Japan. Ftarri: collaborative performance with Simon Whetham. Tokyo. Japan. Conduit Arts: Melbourne. Atunal: Long Play Cinema. Melbourne. 2015 RE::SET: Laughing Waters, Eltham. Chantier(s), Espace En Cours, Paris Black Holes. collaborative performance with John Grzinich, Simon Whetham and James Wyness. Cave 12. solo and collaborative set with Francisco Meirino. Geneva, Switzerland. Standard/Deluxe. Lausanne, Switzerland. HeK, Basel, Switzerland. Avant Whatever. Alderman Hotel, Brunswick East. Non Linear, Strange Neighbour, Fitzroy. 2014 World of Hidden Sounds, w/ Simon Whetham and Children, Parents and Teaches from Castlemaine Primary School, Old Castlemaine Gaol. Artificial Spatial Debris, w/ Camilla Hannan, NGV, Melbourne. 2013 Tsonami, Valparaiso, Chile Sounding Spaces, w/ John Grzinich, Andrés Rivera F, Guely Morató, Michel Poblete Montoya and Sebastian Vega, Tsonami, Valparaiso, Chile Ciclo Hertz, una.casa.club, Buenos Aires, Argentina Acéfalo festival. Rubén Darío Univ de Valparaíso, Chile Bogong: Electric. Bogong Centre of Sound Culture, Bogong Alpine Village, Victoria Liquid Architecture: Sonic City, Royal Melbourne Hospital Tunnels, w/- Camilla Hannan and Nigel Brown. 2012 +quiet: with Hiroki Sasajima. Test Tone: Superdeluxe, Tokyo Ochiai Soup, Tokyo. Active Crossover. with Simon Wetham, Lizzie Pogson, Jacques Soddell. ICU castlemaine. Odious Pegboard, Tape Project Space, Melbourne. 2011 Hand Made Music Festival, West Space, Melbourne. A Bunch of Twos: West Space, with Camilla Hannan, Zoe Scoglio and Cait Foran Observatori Festival, Valencia, Spain 2010 Seedpod: with Robert Curgenven. ICU Castlemaine. 2009 Aftefact Tour, with Thembi Soddel and Camilla Hannan, Adelaide, Alice Springs, Darwin, Perth, Melbourne, Bendigo. Vacumm #2: Tape Projects Space with Camilla Hannan, Geoff Robinson, Marcus Holst, Jim McKay, Ernie Althoff. 2008 Displaced Sounds, STUK Kunstencentrum, Leuven, Belgium Ujula, Tartu, Estonia Vacumm #1: West Space. (4x7 hour performances) in collaboration with Camilla Hannan, Anthea Caddy, Ryan Cockburn, Matt Davis, Carl Priestley and Thembi Soddell. Liquid Architecture. ICU castlemaine. with Cedric Peyronnet. 2007 Activating the Medium, The Exploritorium, San Francisco, USA DIVA Centre, Eugene, Oregon Gallery 1412, Seattle, Washington Someday Lounge, Portland, Oregon 2006 Liquid Architecture, in collaboration with Sean Baxter, Rod Cooper and Anthea Caddy, Old Melbourne Watchhouse, Melbourne Microphonics, in collaboration with Rod Cooper and Tim Catlin, Ethel Osbourne Hall, Melbourne https://sonicrubbish.com/SONIC-RUBBISH-editions Sun, 18 Nov 2018 07:03:09 +0000 sonic rubbish https://sonicrubbish.com/SONIC-RUBBISH-editions &nbsp; <img width="1654" height="350" width_o="1654" height_o="350" data-src="https://freight.cargo.site/t/original/i/70d1ed807c5b22b1a90d7640847dcff4e2106f7663085bc71b9a52a6710cf015/HOUSEKEEPING_front-cover_header-02.png" data-mid="28796662" border="0" src="https://freight.cargo.site/w/1000/i/70d1ed807c5b22b1a90d7640847dcff4e2106f7663085bc71b9a52a6710cf015/HOUSEKEEPING_front-cover_header-02.png" /> SONICRUBBISH&nbsp;a small label formed to publish the sound works of TARAB Releases can be purchased from: SONICRUBBISH bandcamp page SONICRUBBISH&nbsp;discogs page or contact directly :&nbsp; info AT sonicrubbish DOT com Distribution:&nbsp; Art into Life Japan Auf Abwegen &nbsp;Germany Cold Spring UK Corticalart &nbsp;France Electic Knife UK Ferns &nbsp;France Flagday Recordings &nbsp;USA Fragment Factory &nbsp;Germany Ftarri &nbsp;Japan Rope Editions South Korea Omega Point Japan Shame File &nbsp;Australia Tobira&nbsp; Japan if you are interested in stocking any sonicrubbish titles for distribution please contact us for wholesale prices. thank you. releases: <img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/056f47ef72d56dde21d1893557aa739551c4b0ddcaba5b02be90b93abf8994c4/material-studies.png" data-mid="213464594" border="0" data-scale="63" src="https://freight.cargo.site/w/1000/i/056f47ef72d56dde21d1893557aa739551c4b0ddcaba5b02be90b93abf8994c4/material-studies.png" /> material studies #2 + #3 <img width="3168" height="3224" width_o="3168" height_o="3224" data-src="https://freight.cargo.site/t/original/i/be94d860375b422543ce4230b1f3d86939c5975c48d1fcb0b92a39e589f50545/front_recut_bleed_BW.png" data-mid="95269018" border="0" data-scale="62" src="https://freight.cargo.site/w/1000/i/be94d860375b422543ce4230b1f3d86939c5975c48d1fcb0b92a39e589f50545/front_recut_bleed_BW.png" /> HOLES &nbsp;<img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/f6264cc949892bbd4abdf5dbb4520eab893f69a73ae4fc1de40e6c002d76c4c6/APOPHENIA_front_crop.png" data-mid="65655541" border="0" data-scale="63" src="https://freight.cargo.site/w/1000/i/f6264cc949892bbd4abdf5dbb4520eab893f69a73ae4fc1de40e6c002d76c4c6/APOPHENIA_front_crop.png" /> APOPHENIA <img width="1654" height="1476" width_o="1654" height_o="1476" data-src="https://freight.cargo.site/t/original/i/4eeea3ac6063bf800ba125c4d763d060e3d24cd66c44295d9080f2a661e5b5a7/HOUSEKEEPING_front-cover.png" data-mid="28796194" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/4eeea3ac6063bf800ba125c4d763d060e3d24cd66c44295d9080f2a661e5b5a7/HOUSEKEEPING_front-cover.png" /> HOUSEKEEPING https://sonicrubbish.com/PUBLICATIONS Sun, 18 Nov 2018 07:03:10 +0000 sonic rubbish https://sonicrubbish.com/PUBLICATIONS <img width="700" height="700" width_o="700" height_o="700" data-src="https://freight.cargo.site/t/original/i/68348a7b3c4f11e7d99095ba0655ea8a1ba8fdcb2895410b6076b68e1cfdc0dd/a3709396399_16.jpg" data-mid="246049918" border="0" src="https://freight.cargo.site/w/700/i/68348a7b3c4f11e7d99095ba0655ea8a1ba8fdcb2895410b6076b68e1cfdc0dd/a3709396399_16.jpg" /> FOIL VOID JOIN AVOID : Aposiopèse : 2026 physical 2CD :&nbsp;aposiopese.bandcamp.com/album/foil-void-join-avoid Not quite a field document, not quite abstraction, Foil Void Join Avoid lives where documentation turns into artistic gesture, and the mundane textures of overlooked spaces (plastic, tin, moving air, structural hum) get rearranged into acoustic sculpture. Massimo Ricci - Touching Extremes Foil Void Join Avoid emerges as a coherent and layered work, where the practice of field recording emancipates itself from pure recording to become a complex and relational construction, restoring the sonic material in its complexity and intrinsic dynamism. Aurelio Cianciotta - Neural digital : sonicrubbish.bandcamp.com/album/foil-void-join-avoid FOIL VOID JOIN AVOID by eamon sprod <img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/475ba2fbf573536a55cd49ff6906cc5ecb0912192226f8445f169c6afd5c9d2d/material-studies_03.png" data-mid="186977593" border="0" src="https://freight.cargo.site/w/1000/i/475ba2fbf573536a55cd49ff6906cc5ecb0912192226f8445f169c6afd5c9d2d/material-studies_03.png" /><img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/015fa3dfc7af8693b92e4c14683ba3f5c881c8bc19171500c051633e09937cf8/Foil.png" data-mid="186977601" border="0" src="https://freight.cargo.site/w/1000/i/015fa3dfc7af8693b92e4c14683ba3f5c881c8bc19171500c051633e09937cf8/Foil.png" /> material studies #2 + #3 digital release: Sonic Rubbish : 2023 Material Studies #2+#3 are not intended as a documents of objects and their interactions, but result from working with these assembled situations and the resulting recordings as material, to listen for what might be shaped through these generative processes. recorded 2019. arranged 2020-21. re-arranged 2023. material studies #2 + #3 by TARAB <img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/ff37f31848ae044f840b2091956d828d302905a94dc2c4dfb9ff3731aa7c2a4b/a0225196401_10.jpg" data-mid="162286406" border="0" src="https://freight.cargo.site/w/1000/i/ff37f31848ae044f840b2091956d828d302905a94dc2c4dfb9ff3731aa7c2a4b/a0225196401_10.jpg" /> CRAWLSPACE : David Precott-Steed + Eamon Sprod Unfathomless : 2023 Crawlspace developed as a dialogue between ourselves, as well as between us and Bell Stairs. The physicality of the space shaped our movements within it; how we moved through the space impacted upon what was heard and how we listened. This informed what additional sounds we introduced and how we introduced them, which in turn shaped our movements … and so on.The recorded traces of this process have been arranged to reflect some of these spatial conversations, comprising clusters of activity interspersed by the sound of the distant water, the traffic above our heads or a single drip drawing us on further down the tunnel. You can hear our movement through the darkness, and the sounds of our somewhat futile attempts to coax Bell Stairs to answer back. crawlspace by Eamon Sprod &amp; David Prescott-Steed <img width="1844" height="1487" width_o="1844" height_o="1487" data-src="https://freight.cargo.site/t/original/i/f45878010c5573bcba279d60e9901139bc720fb881da1d85baa1e6c57e95e05f/ROOMS_front-01.JPG" data-mid="131586894" border="0" src="https://freight.cargo.site/w/1000/i/f45878010c5573bcba279d60e9901139bc720fb881da1d85baa1e6c57e95e05f/ROOMS_front-01.JPG" /><img width="891" height="891" width_o="891" height_o="891" data-src="https://freight.cargo.site/t/original/i/c035d84aa774d7bc6404b88b15d42d4fb79c6d4924a48ff6774fd97926676239/ROOMS_thumb.png" data-mid="128913931" border="0" src="https://freight.cargo.site/w/891/i/c035d84aa774d7bc6404b88b15d42d4fb79c6d4924a48ff6774fd97926676239/ROOMS_thumb.png" /> ROOMS F E R N S recordings : 2022 Shaped from various recordings of installations and spatial works presented over 2019-21 ... however ROOMS is not intended to act as a straight document of these installations. Rather, it explores some of the ideas and methods which emerged from the process, within the space formed by a pair of stereo speakers situated in yet another room."Recorded audio material is explored as a shifting series of perceivable surfaces, textures and depths; traces of places and actions; points in space; vibration of speaker cone and microphone diaphragm; resonant objects acting as small sounding containers within larger containers; movements of air; a constant shifting set of perspectives; the traces that are left behind; debris gathered up and pawed over. Recorded sound is gathered and understood as partial, fragmentary, incomplete." Think of this as a large empty house with many rooms and a lot of debris. You wander through the rubble and dirt and create sounds; until you realize that far away, in different rooms, other people are doing the same. Not in a scary way, for once, but as in a symphony for an empty house. &nbsp; Frans De Waard - Vital Weekly Rooms by Tarab <img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/c1543fd6d7169a3f0942ea11e636a4f2a2b9b15d830a0a30ab6106d9dec4b1be/0026927681_10.jpg" data-mid="126448939" border="0" src="https://freight.cargo.site/w/1000/i/c1543fd6d7169a3f0942ea11e636a4f2a2b9b15d830a0a30ab6106d9dec4b1be/0026927681_10.jpg" /> material studies #2 taâlem : 2022 material studies #2 [alm 140] by tarabRecorded 2019. Arranged 2020-21. Master: Yvan Etienne. Material Studies #2 is the continuation of a small series of explorations of working with simple materials, started with 2019’s MS#1 released on Hemisphäreの空虚. This work pares back and further refines this process, with the use of minimal discarded everyday materials introduced to the artificial movement of air, via an air-conditioning unit. This work is not intended as a document of this interaction, but is the result of working with this situation and the resulting recordings as material, to see and hear what might emerge from that process. <img width="3168" height="3224" width_o="3168" height_o="3224" data-src="https://freight.cargo.site/t/original/i/be94d860375b422543ce4230b1f3d86939c5975c48d1fcb0b92a39e589f50545/front_recut_bleed_BW.png" data-mid="103721303" border="0" src="https://freight.cargo.site/w/1000/i/be94d860375b422543ce4230b1f3d86939c5975c48d1fcb0b92a39e589f50545/front_recut_bleed_BW.png" /> HOLES Sonicrubbish : 2021 Trying to peg the “things that happened” to generate these sounds is foolish. Tarab is skilled at capturing rich, detailed sonic events and parsing them down to just their most essential elements. But the title, “Holes”, does a lot of work in setting up the piece. On this album, sounds are separated into discrete clusters. Quick jabs of metal rattling, open-air, doors closing and machine grind are distilled to a seconds-long (or shorter!) rush, separated by pregnant silences. We can hear jumbles of metal bashing, or the seemingly random percussion of an auto repair shop, fiercely jumbled television announcers… sharing a thin border with closely-recorded footfalls, gale-force wind, an empty foyer. Sprod plays with volume mercilessly and often; a sound-event might be REAL LOUD AND UPFRONT as if it’s boxing you about the ears, then rapidly cut to the same sound but quiet and distant, then cut again to a sideways view of the same sound, all in a moment with silence on either end… one gesture describing decisive motion. I’m reminded of Fergus Kelly’s work crossed with Runzelstirn &amp; Gurgelstock’s violent focus… the ears of a documentary filmmaker on the body of a martial arts expert. The title seems to refer to the open space that gapes around each event… and sometimes, around each individual sound. This music breathes like a living animal.&nbsp; Howard Stelzer - VITAL WEEKLY HOLES by TARAB <img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/59458c3c836b73afe1fa34b0a11f80824392e1f6064e511ec14f3899e886d55f/41-containers.jpg" data-mid="71844849" border="0" src="https://freight.cargo.site/w/1000/i/59458c3c836b73afe1fa34b0a11f80824392e1f6064e511ec14f3899e886d55f/41-containers.jpg" /> 41 Containers AMPLIFY 2020 : Quarantine Work for AMPLIFY 2020 : Quarantine online festival. Curated by Jon Abbey, Vanessa Rossetto and Matthew Revert. All sounds collected, arranged and re-arranged 26 March-25 April 2020: rooms, inhabitants, contents, external activity, speakers, microphones. 41 containers by TARAB <img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/f6264cc949892bbd4abdf5dbb4520eab893f69a73ae4fc1de40e6c002d76c4c6/APOPHENIA_front_crop.png" data-mid="61900288" border="0" src="https://freight.cargo.site/w/1000/i/f6264cc949892bbd4abdf5dbb4520eab893f69a73ae4fc1de40e6c002d76c4c6/APOPHENIA_front_crop.png" /> APOPHENIA&nbsp; Sonicrubbish : 2020 The temptation for a listener is to match sounds to their source and attempt to read meaning there. But Sprod makes it clear in the title that such an interpretation would have as much validity as finding images in clouds or constellations. So never mind the suggestive litany of source sounds provided by the artist: bicarb soda, air conditioning units,&nbsp; escalators, floorboards and so on. Instead, let’s talk about the industrial immensity and finely controlled drama of the piece. The music seems endlessly detailed, both legible and obscured at the same time, with a stellar control of tension. Howard Stelzer - VITAL WEEKLY Apophenia by TARAB <img width="700" height="700" width_o="700" height_o="700" data-src="https://freight.cargo.site/t/original/i/367955acb87792fbdef52c7a578055fed1b93583cae23c34a39ff4e32e00f1f0/a1631435612_16.jpg" data-mid="60318740" border="0" data-scale="100" src="https://freight.cargo.site/w/700/i/367955acb87792fbdef52c7a578055fed1b93583cae23c34a39ff4e32e00f1f0/a1631435612_16.jpg" /> Material Studies #1&nbsp; Hemisphäreの空虚 : 2020“... the identities of Sprod’s surroundings are not made nearly as clear; we are told that some of the elements are sourced from old cassettes from the project’s early days, but other than that the “materials” he utilizes are quite wide-ranging—metallic machinery that resembles recordings I myself once captured of children’s playground equipment, small vibrating objects on agitated surfaces, Velcro-like scrapes and scratches. The exhumed tape remnants add a crucial dimension to the music, unseating the clearly and closely recorded tactile events with a cloying layer of ghostly hiss and hum. There’s a particularly strong stretch near the beginning of side B where heavily processed micro-sounds flit and crackle around droning, soupy clatter, the former almost resembling the hyperactive granular textures of pure data synthesis. Material Studies #1 is essential listening for all those who love to turn their ears to immersive, textural sonic landscapes that refuse to abandon their gritty, earthly origins.” Jack Davidson - Noise Not Music Material Studies #1 by TARAB <img width="700" height="700" width_o="700" height_o="700" data-src="https://freight.cargo.site/t/original/i/2b26f034d929e23a7b753cf0751ccf62f951dbafd5c58cef9300a034c3b4b2a1/bidodaren.jpg" data-mid="48637005" border="0" data-scale="97" src="https://freight.cargo.site/w/700/i/2b26f034d929e23a7b753cf0751ccf62f951dbafd5c58cef9300a034c3b4b2a1/bidodaren.jpg" /> Bidödaren : Various Artists&nbsp; FERNS : 2019"Bidödaren = Beekiller, approximately... In Swedish there is a double meaning; bi is the insect bee (in English), but also has the meaning of something like a "side-effect". Like if the killing of bees is just something being done beside doing something else. (Leif Elggren)" Compilation featuring Daniel Menche, Steve Roden, Joe Colley, BJ Nilsen, Toy Bizarre, Small Cruel Party, Unken Reflex and Tarab. Responding to a draw by Leif Elggren. Bidödaren by Various Artists <img width="768" height="748" width_o="768" height_o="748" data-src="https://freight.cargo.site/t/original/i/37b9ab8d5858f10d6c9df42a340135e1cd6cf5d4dae657193ab700585f89cd5b/Friche.jpg" data-mid="34090745" border="0" data-scale="91" src="https://freight.cargo.site/w/768/i/37b9ab8d5858f10d6c9df42a340135e1cd6cf5d4dae657193ab700585f89cd5b/Friche.jpg" /> Friche : Transition : Eric La Casa + Eamon Sprod Swarming : 2019 To listen to this all the way through is wonderfully unnerving; just when you’re lulled by the static metallic rumble, sharp cuts and clanks leap across the stereo field and jolt out in sharp-angled jump-scares. Listening to a big city from its ignored edges means capturing the menacing acoustics of tunnels, the drone of distant traffic and faraway voices, active trash-heap clatter, threatening low-frequency drops, oncoming trains, cell phone interference. The lengthiest section, part 3, bashes rocks around at a steadily rolling density while skittering plastic and water attack from all sides until flurries of activity in discrete channels give an impression of overwhelming movement that constantly speeds up, stops, switches to something entirely different… bends plastic in your ear then throws you down a well, only to instantly teleport you to the centre of an auto scrap yard and then plunge you back underground. So much is happening each second that a single listen doesn’t do it justice. I’ve experienced “Friche: Transition” intently all the way through on headphones about six times so far, and have come away with latching on to new details each time. This album is exhilarating and thrillingly exhausting.&nbsp;Howard Stelzer - VITAL WEEKLY Friche : transition by Eric La Casa + Eamon Sprod Available direct from Swarming here <img width="1654" height="1476" width_o="1654" height_o="1476" data-src="https://freight.cargo.site/t/original/i/4eeea3ac6063bf800ba125c4d763d060e3d24cd66c44295d9080f2a661e5b5a7/HOUSEKEEPING_front-cover.png" data-mid="29206392" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/4eeea3ac6063bf800ba125c4d763d060e3d24cd66c44295d9080f2a661e5b5a7/HOUSEKEEPING_front-cover.png" /> HOUSEKEEPING : SONIC RUBBISH : 2018This is music that delights in subverting expectations over and over again. The dull drone of people in a reverberant hallway settles into a lull for just long enough to make the punctuating slam of ear-boxing trash hilariously startling. Doors shut, the wind sings, motors whine… a distant murmur comes slowly into focus and then suddenly runs straight at the listener...... Somehow, the three-dimensional character of the multi-channel installation is preserved on this stereo composition. All the junk swirling inside “Housekeeping” seems so tactile that at one point I had to take my headphones off to make sure something hadn’t fallen off a shelf in my living room. Howard Stelzer - VITAL WEEKLYHOUSEKEEPING by TARAB <img width="300" height="305" width_o="300" height_o="305" data-src="https://freight.cargo.site/t/original/i/170efb4ece38ec883495b3f0858863efd5ff4032e2d4feb08ee84bf0b312b526/OBEX_300.jpg" data-mid="28757787" border="0" src="https://freight.cargo.site/w/300/i/170efb4ece38ec883495b3f0858863efd5ff4032e2d4feb08ee84bf0b312b526/OBEX_300.jpg" /> OBEX : Tarab + Artificial Memory Trace : Crónica : 2018 "...sometimes it builds, but as easily seems to be falling apart making this quite odd but thoroughly captivating stuff. "&nbsp; Frans de Waard - VITAL WEEKLYHow seriously should it be taken? Probably quite seriously. Nothing about Obex intimates an explicitly light-hearted release, an album geared towards ‘fun’. And yet amidst the dark, ponderous clanks and rumbles, something about Obex suggests an entertaining aspect, and also hints that this is art for the love of art over and above any grander narrative. And, context / no context, this is an interesting, textured work, rich in texture and dynamics. Christopher Nosnibor AURAL AGGRAVATION Obex by Tarab + Artificial Memory Trace <img width="1800" height="1800" width_o="1800" height_o="1800" data-src="https://freight.cargo.site/t/original/i/ffb1ebd8baa42be87e770da17b53cade97cbe5d4f897072b77d5872e89f65f21/tarab_an__incomplete_yet_fixed_idea.jpg" data-mid="28757932" border="0" src="https://freight.cargo.site/w/1000/i/ffb1ebd8baa42be87e770da17b53cade97cbe5d4f897072b77d5872e89f65f21/tarab_an__incomplete_yet_fixed_idea.jpg" /> An incomplete yet fixed idea : Aposiopèse : 2017 Released on a vinyl divided into two 20 minutes parts,&nbsp;An Incomplete Yet Fixed Idea is the last work of Eamon Sprod, aka Tarab, an unconventional musician from Melbourne, familiar with field recordings, electronic frequencies, sound landscapes and site-specific research. The album was also recorded by Giuseppe Ielasi, an Italian sound artist well known in the contemporary experimental musical “free zones”. Many authors who share the same creative and productive process of the Australian artist have made some quietist and aesthetic works, but in his case the creation process moves in a different direction, a solid conceptual strain based on a personal poetics of waste, decay and re-contextualising of single sound elements, something more complicated than an exhibition of distinct frameworks. According to the artist, the reactive mixes are “careful arrangements of sonic rubbish”, mostly undefined, whose origins are not revealed. There is no research, nor is there an attempt to soften the raw audio captures. So, the limit between the recorded and the manipulated sounds is uncertain, the listener’s perception walks on difficult ground searching for some fixed point. Nothing seems immediately clear. In the first part the sequences are more dilated and abrasive, with a growing development in pattern and intensity. The following sections show some anxiety made of industrial elements: metal audio emergencies, threatening loops, amplifications of sounds made with items, movements and crushes. The incompleteness here isn’t just escaping from the imitation of nature or avoiding a partial representation. The work doesn’t either support the idea that beauty is something already codified. Here we find the experimentation of a critical threshold, a critical point in the system where some lack of perception can surprisingly sharpen the capability to feel ourselves at one with the sounds and with the intimate structures of the vibe effects. So the incompleteness becomes a privilege, because it shows the potential to find relief with the development of new relationships between the sensory forms and the effective artistic practices. Aurelio Cianciotta :&nbsp;Neural : May 2018 An incomplete yet fixed idea by TARAB <img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/90a127c759fda6e75f5aaac8a2369bc9aff15e49128ab1d3c0574567bb1d1bed/a3479769166_10.jpg" data-mid="30527288" border="0" src="https://freight.cargo.site/w/1000/i/90a127c759fda6e75f5aaac8a2369bc9aff15e49128ab1d3c0574567bb1d1bed/a3479769166_10.jpg" /> Kom-pohst : Eamon Sprod John Grzinich Simon Whetham : 2016Kompohst is a collaborative work for radio in three parts that has been created from a mass of sonic material gathered by sixteen artists involvement in Active Crossover: Mooste, a collective residency held during April-May 2015. Three composers, John Grzinich, Simon Whetham and Eamon Sprod, have charted connections between the artists' activities, intersected the common threads, and assembled them as a web of sonic interactions and experiences. The notion of compost sits at the heart of the three works, conjuring ideas of decomposition and recomposition, and sound making as a material form and a living process. The composting of these artefacts embraces a metaphorical transformation of debris, giving a voice to a unique collective archive, and presenting a set of sonic interpretations from the process of investigation and collaboration, of sharing experience and materials. The work was commissioned by ABC RN’s Creative Audio Unit for Soundproof (a program which is now sadly no longer with us). Thank you Miyuki Jokiranta. Kom-pohst by Eamon Sprod, John Grzinich, Simon Whetham <img width="300" height="300" width_o="300" height_o="300" data-src="https://freight.cargo.site/t/original/i/3ba6dff59eb178d2bb1929b15b7e4e9aeea58a05232237b57d6f830d71aa6635/gleaners.jpg" data-mid="28757964" border="0" src="https://freight.cargo.site/w/300/i/3ba6dff59eb178d2bb1929b15b7e4e9aeea58a05232237b57d6f830d71aa6635/gleaners.jpg" /> Gleaners : Cronica : 2016 Gleaners rummages through the Active Crossover: Mooste archive, gathering together the vestiges of our collective and disparate scurryings around the landscape. By allowing the background to almost free itself from the foreground and refusing to differentiate between incident, accident and intent, the various fragments have coalesced (with furtive guidance) into a form (in)determined by which of the residual pieces settled, and where they landed; and which pieces simply disappeared. All sounds have been extracted from recordings by or featuring: Tuulikki Bartosik, Fernando Godoy, Evelyn Grzinich, John Grzinich, Jim Haynes, Park Jin-Young, Rostislav Rekuta, Yiorgis Sakellariou, Dawn Scarfe, Maksims Shentelevs, Eamon Sprod, Taavi Suisalu, Arlene Tucker, Simon Whetham, James Wyness.Gleaners by Tarab &nbsp; <img width="200" height="200" width_o="200" height_o="200" data-src="https://freight.cargo.site/t/original/i/fb26c4ce1f7c8a076dd7fbe3c005c69ca9520289227bcd44f5b3362c4c8e8b33/idee-fixe_02_thumb.JPG" data-mid="28758152" border="0" src="https://freight.cargo.site/w/200/i/fb26c4ce1f7c8a076dd7fbe3c005c69ca9520289227bcd44f5b3362c4c8e8b33/idee-fixe_02_thumb.JPG" /> idée fixe : nonlinear : 2016 idée fixe has been arranged from a collection of recordings gathered from various locations and situations that I have found myself in over the last handful of years. Where and how is not so important in this case. This current arrangement has mutated from an installation, which germinated in various recent live performances, which sourced their material from multiple projects and situations. So this material has been added to, subtracted from, rearranged and generally mistreated many times before it has reached this current form. Some of it will continue to be pushed and pulled around some more. I won't be able to help myself......Idée fixe by TARAB <img width="200" height="200" width_o="200" height_o="200" data-src="https://freight.cargo.site/t/original/i/11ad890ef79607ce6f5ac1cd64b8aa2be04356c14b806737dd40e07671c7e465/23F019.cover.jpg" data-mid="28758060" border="0" src="https://freight.cargo.site/w/200/i/11ad890ef79607ce6f5ac1cd64b8aa2be04356c14b806737dd40e07671c7e465/23F019.cover.jpg" /> I'm Lost : 23five : 2014 This album is comprised of field recordings, but don't expect to hear field recordings; they've been chopped up, rearranged, amplified, and skipped like flat stones across a glass surface. At one point the speakers spew the ugly sound of a busted CD; anyone who knows this sound will rush for the remote. And yet, everything is intentional: the glitch, the fuzz, the squelch, the sonic debris. Tarab's intention is to decontextualize and disorient, and he does so here in spectacular fashion. When one hears the sounds of birds and running water, one thinks, "how lovely!" Not in this context, in which they are surrounded by harsh drone and over-amped rustle. That's just in the first minute. The impression is that of an exploding car driving through a factory. On this album, the artist (Eamon Sprod) elaborates on themes last explored on Strata, including broken objects and the immunizing effect of mass transit. The words I'm Lostcan indicate a number of things: that one is physically lost, emotionally lost, spiritually lost. By removing the normal signposts from his soundscapes, Tarab dares his listeners to find the port in his sonic storm. Fortunately, the human mind is so good at finding patterns that it tends to impose them even where they don't exist. For example, the wind of the second track may be intuited as a chorus, or the entire album as a buildup to breakdown. The more one listens, the more one begins to hear repetitions: there's that bird again, there's that running water again. Either one is going in circles, or one has just found one's way. The album shares the appeal of early industrial music. At times it sounds as if Tarab has killed and gutted a metal turkey, stuffed it with sprockets and gears and thrown it against a wall. The music is dangerous in all the right ways. Save for that intentional CD glitch at the end of track four, it's also quite beautiful. This adjective may fly in the face of all that Tarab is trying to achieve, but as much as he may wish the album to serve as a commentary on humanity's "dead ends", these are the sort of mistakes most listeners will want to hear again, perhaps reveling in the very idea of failure. We may continue to colonize, desecrate and pillage, to the extent that birdsong and running water become only footnotes in our sonic landscape; but the metallic and emotionless possess their own peculiar allure. -- Richard Allen - A Closer Listen June 2014 &amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href="http://tarab.bandcamp.com/album/im-lost"&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;I'm Lost by TARAB&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt; <img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/092e832fba72f75a1d935b722a19f8ef0fa1a7e9fbc1b76565d825f954e5816a/strata.jpg" data-mid="28758092" border="0" src="https://freight.cargo.site/w/1000/i/092e832fba72f75a1d935b722a19f8ef0fa1a7e9fbc1b76565d825f954e5816a/strata.jpg" /> Strata : Unfathomless : 2013 Eamon Sprod records music in the field, but don't mistake the product of his labor for a field recording. In some hands microphones and tapes are used to capture the buzz of insects or the sound of rain pelting the land—whatever the subject might be—with the intent of faithfully reproducing those sounds later in a living room or in a pair of headphones. Replication is the documentarian's craft. Sprod's is magnification. He singles out particular noises, brushes them off and, like a geologist or an archaeologist, excavates them from the sediment of ordinary commotion. His efforts yield an enlarged world of microscopic rhythms and porous surfaces, small remnants that point to the unbroken environments from which they were culled. But Sprod re-purposes those extractions as musical vehicles too, for both re-hearing and re-imagining the world. Strata is a telling title. Maybe the perfect title for this album, because, in order to get what he wants, Sprod has to dig into the dirt. He trains his microphones on the gritty crunch of busted concrete and loose gravel, buries them in the ground to pick up the vibrations of subway trains, and lets them loose over a wide surface where dogs bark and the hum of cars, planes, and other machines mingle chaotically. Most public spaces are filled with sounds like these, but they pass by unnoticed for a variety of reasons: visual distractions pull our attention away from them or other sounds roar rudely into our ears masking the quieter noises that smolder in the dark. Some sounds require special equipment to hear and other times there is simply too much happening to catch it all at once. Whatever the case, our senses fail to report the entire scene. Sprod's method of recording and composing brings those silenced sounds back to consciousness, with a twist. They arrive incrementally and without context, fragments of the vacant lots Sprod recorded near Macaulay Station and Moonee Ponds Creek in North Melbourne, Australia. From the piston-pumping whoosh of car engines on a raised highway to the sibilant hiss of old pipes; from birds chirping to creaking boards, to tape distortion and the harmonic ring of metal on metal, each scene appears out of the blue, placed shoulder to shoulder with its neighbors by means of sudden cuts, quick fades, and clever mixing. Rhythm and pace take precedent over the sounds themselves as Sprod turns his attention from subject to subject. A barrage of noise is followed by an expectant stillness. Dogs bark. Someone kicks a pile of rubble over with their boots and subtle effects creep surreptitiously into their midst. In places the recordings are slowed down or sped up, or are manipulated in some way to add variety. Strategies like these might have come about as Strata took shape, or they could have been planned out in advance. The blueprint suggested by the title shows through in the way Sprod organizes his sources, but nothing like a composition can be gleaned from that organization. In absence of an outline, it’s very likely that each sequence and edit was decided by the material itself and by Sprod’s ear. There is a peak here and valley there not because of any guiding principle or master plan, but because that sequence seemed appropriate at the time and made for good music. Thoroughness might also have contributed to the album's build, as Strata uses much of its time to focus our attention on overlooked (or under-heard) phenomena. Events move through the frame only after they've been treated meticulously and no sooner. What counts as meticulous depends entirely on interest, and since this is Sprod's record, it's his interests that matters. By intuition or by whim, Strata takes shape. And from that shape both music a deepened field materialize. All the nooks and crannies usually obscured by the bigger picture come to the fore, as if blown up under a microscope, and they bring two of North Melbourne's deserted locales back to life with them. Not just by virtue of their sounds; the music reaches further than that. It travels through the audible frequencies and into the brain where it teases the imagination to work. An awareness of how these places must have felt emerges. It's a subjective report, filtered through Eamon Sprod's subjective lense, but it captures the lay of the land in a way that few documentary recordings could. Lucas Schleicher - Brainwashed strata by Tarab <img width="3201" height="2138" width_o="3201" height_o="2138" data-src="https://freight.cargo.site/t/original/i/23245ccbffffa77587e8a180e247a0ab5827d30b8c91bf7a0b7d36c8fdf852fc/sf09.jpg" data-mid="28758141" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/23245ccbffffa77587e8a180e247a0ab5827d30b8c91bf7a0b7d36c8fdf852fc/sf09.jpg" /> Shards of Splinters-Fragments of Scratches /Killustiku Killud-Kriimude Killud : Semperflorens : 2012 Too long has passed since we've heard anything new from Tarab - the solo project of Australian sound artist Eamon Sprod. His process involves the recontextualization of field recordings into dense collages of acoustic noise, natural disruptions, violent crackling, and grandiose crescendos of activity bracketed by periods of a unsettled calm. In listening to each of his records, we can easily see how much time and attention he puts into these increasingly complex compositions; so it's no wonder it can take two to three years for a new album to emerge. Sprod collected all of the sounds for Shards Of Splinters while on a month-long residency at MoKS in Estonia. He purposefully chose to go to Estonia in the middle of a very cold, very bleak Baltic winter, in stark contrast to the fire-season and sweltering temperatures he would have found at the same time in his native Australia. As with his small back catalogue, Shards Of Splinters navigates along the boundary between the natural and the industrial - where factories had been left to collapse and to be consumed by vegetation, where tin sheds were torn asunder by hurricane force winds, where rusted pipes eerily resonate chorale drones from unseen cisterns deep under the surface of the earth. Many a field recordist and sound ecologist uses this boundary space to collect a beguiling array of recordings, but Sprod focuses almost entirely on mapping an apocalyptic poetry through his profoundly broken sounds. The unforgiving cold of the Estonian winter threads his recordings of slushing ice, crumbled concrete, and scraped metal that he deftly arranges into ruptures and disturbances that churn through tactile squeaks and metallic vibrations. There is a violence front and center in Sprod's work as if he's forecast the globe itself waking from hibernation to exterminate humanity once and for all. Aesthetically, Shards Of Splinters finds common ground with Eric La Casa or the more narrative work of Chris Watson; but conceptually, Sprod takes a much darker approach akin to Small Cruel Party or G*Park, that gives his recordings a magnificent depth. Brilliant.&nbsp; Jim Haynes&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href="http://tarab.bandcamp.com/album/shards-of-splinters-fragments-of-scratches-killustiku-killud-kriimude-killud"&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Shards of Splinters - Fragments of Scratches/Killustiku Killud - Kriimude Killud by TARAB&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt; <img width="150" height="150" width_o="150" height_o="150" data-src="https://freight.cargo.site/t/original/i/d72af648a4e9031354c8e4e0f84ae389c24f3f42c462bcdb0411ed54fae9deac/aquiesense.jpeg" data-mid="28758148" border="0" data-scale="100" src="https://freight.cargo.site/w/150/i/d72af648a4e9031354c8e4e0f84ae389c24f3f42c462bcdb0411ed54fae9deac/aquiesense.jpeg" /> acquiescence : Kaon : 2011 Tarab has a confrontational way of laying out sounds, breaking up the barriers of comfort &amp; ease, strict linearity, as well as fixed space &amp; time parameters…Most of the time, his ethic is of keeping sounds as pure as possible…piecing them together often in a digressive manner so that they become the foundation of an original journey…“Acquiescence” on the ever fascinating “La Rivière” series on Kaon (now in its third year) is mainly based, as all previous “episodes” on recordings by Cédric Peyronnet in the French Taurion river valley. Being no exception in Tarab’s course, this is another rough manifesto of on the edge listening…Splitting his EP in 3 parts (acqu, iesc, ence) and adding sound materials from Merri Creek, North Coburg, Australia, Tarab gives evidence that he enjoys to have a real grip on things, and a concrete genesis for its own compositions… this indigenous, subtle mixed in contribution is essentially a way of anchoring the experience in a personal terrain, and remains unobtrusive, melted within…The three movements have a shifting morphology, presenting multiple entry/exit points, but most of all, they’re an open invite to an intense quasi physical grasping…summoning up our own long buried stimuli &amp; sound memories, Eamon immerses us in the liquid element with an obvious jubilatoire desire to exacerbate, intensify our sensory capital, largely enhancing the tissue of possible connections…it’s as if, bathing us in the water, he makes us perceive, groping all along, the real shapes &amp; contour of stones, their texture, but at the same time, all the floating &amp; suspended debris &amp; alien bodies, as well as the immediate surroundings…One texture calls for the other giving part after part an insight into an organic agglomerate of peculiar vibrations &amp; frozen moments…subtly intertwined, all the components coalesce to give rise to new meanings, a kind of new story particular to each listener who is then taken along, facing improbable revelations…More than being just a erratic soundwalker, Eamon has a patient, focused, offbeat boosting perspective…he truly opens doors for us… Daniel Crokaert, the field reporter &amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href="http://tarab.bandcamp.com/album/acquiescence"&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Acquiescence by TARAB&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt; <img width="857" height="1548" width_o="857" height_o="1548" data-src="https://freight.cargo.site/t/original/i/ae0fd35ec45fc644c5fa489b93f4ece1dc5c3dad0c8ae359417b50aef19f8a19/U05_revenant_zeltini_outside6.jpg" data-mid="28758302" border="0" src="https://freight.cargo.site/w/857/i/ae0fd35ec45fc644c5fa489b93f4ece1dc5c3dad0c8ae359417b50aef19f8a19/U05_revenant_zeltini_outside6.jpg" /> revenant: zeltini : Unfathomless : 2011 Revenant (I can’t help but think of some especially powerful and frightening figures from Doom) on this occasion, November 2008 in Latvia, consisted of Maksims Shentelevs, Eamon Sprod, John Grzinich, kaspars Kalninsh and Felicity Mangan (though Grzinich writes: “‘revenant is an ongoing project with open membership”). No instrumentation is mentioned and, further, there’s a notation on the sleeve stating, “Final piece edited from 4 synchronized binaural recordings”. Perhaps it’s the cover imagery, maybe the former-SSR setting, but it’s quite tempting to hear this dark, brooding music as inhabiting a Stalker-like environment. There’s an oppressiveness, a dank aspect wherein one thinks of cold, clammy surfaces, algae-covered wall, ancient heavy machinery. The two overriding sounds areas are a blurred, metallic kind of drone, as though there’s a sputtering engine at work somewhere down the dark corridor and the clanking of light metal objects, linked like chains, skittering across the foreground. Small rhythms emerge: soft-mallet taps with a vaguely gamelan feel, as though at least one of the devices lying around still functions. Some faint voices then, rather surprisingly, a jew’s harp, strumming away in a loose rhythm, verging on a melodic fragment, a hapless fellow traveler in the sewers. This continues for the final 10+ minutes of the work, some increasingly violent clatter alongside, until the sounds skid to a conclusion among the chirps of mechanical beetles and sloshing water. The work is almost static, in a sense, minor events drifting in and out of focus; again, one thinks of the lengthy water-covered floor shot of Tarkovsky, though the focus here isn’t quite so sharp. Brian Olewnick, Just Outside &amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href="http://unfathomless.bandcamp.com/album/zeltini"&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;zeltini by revenant&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt; <img width="700" height="700" width_o="700" height_o="700" data-src="https://freight.cargo.site/t/original/i/37744526a150389ff09cb0f2058d0d2f906a0c39a24ad082ed1731e72fa59fdd/utility.jpg" data-mid="28758303" border="0" src="https://freight.cargo.site/w/700/i/37744526a150389ff09cb0f2058d0d2f906a0c39a24ad082ed1731e72fa59fdd/utility.jpg" /> utility/Les vibrations dans la masse de son roulement (split 3' with Eric La Casa) : Compost and Height : 2009 Sprod seems to have recorded the numerous short bursts of sound that appear here from within utility holes (manholes in the UK) around Melbourne, Australia. I’m not sure how he did this really, whether he lowered a recorder into the holes as he found them, or whether he climbed in himself (I’m extra impressed if the latter is correct) but knowing this information the sounds in this piece become thoroughly fascinating, and the many different sounds here that suddenly cut in and out leave me curious as to what I am hearing… are the sounds of the city above, merely filtered through the resonant chamber of what must be a tight concrete tube, or do we hear something actually down the hole, something normally out of earshot? Sprod’s notes on the piece suggest that most often we hear the former, the sounds of traffic, human conversation, wind etc channelled through into the utility hole, but certainly here and there we get blasts of sounds like escaping gas and at one point some kind of warning alarm going off. Beyond the fascination that the different sounds provides for me, the way the pieces are structured keeps the listener on his/her toes. A murky, glooomy distant recording of a fairground at one point might suddenly be cut off by a savage blast of air, only to disappear just as fast and something even quieter and undistinguishable might arrive. The sounds are arranged together so that there are constant sudden shifts in dynamic and intensity, so that, as with the La Casa track the music goes on to become something more than just the sum of its parts. The structure of the music is unusual and clever enough to keep you interested and leads you to almost forget where the sounds came from. Across the twenty minutes on this little CDr there is no end of invention and thoughtful, thoroughly creative use of a nicely recorded set of sounds. If all field recording composition was as good as this I’d be very happy.Richard Pinnell, The Watchful Ear. Eric’s piece is available on his bandcamp site here Split Series 10: Eric La Casa | Tarab by Compost and Height <img width="200" height="200" width_o="200" height_o="200" data-src="https://freight.cargo.site/t/original/i/c8ed9f5bbefd603d12053a0f5be57d9eca822951d1d038a275eead41f00fdf13/23five014_o.jpg" data-mid="28758356" border="0" src="https://freight.cargo.site/w/200/i/c8ed9f5bbefd603d12053a0f5be57d9eca822951d1d038a275eead41f00fdf13/23five014_o.jpg" /> take all the ships from the harbour and sail them straight into hell : 23five : 2009 Oscillation, metal scraping on metal, dragged, large space, little sounds, pushing and pulling, drawing sounds from a well, giving way to a larger atmosphere, looks upwards, the movements made in the space, following ears and eyes, sense of touch, crunching and crackling, ebbs and flows, capturing dead industry, utilising abnormal machinery, thousands of automatons, mechanical insects, strata of life, the industry and the soil, breeds intrigue, 7:07, gives way to gradual silence, the reverberation of fricative liquids and solids, what has been, starts up, as if the mechanical insects are building from scratch the sounds of the distant sea, playing derelict objects, creating imagery that conjures their original purpose, beautiful hyperbolic crackles, 10:10, white noise, a switch to real insects, are they insects? Evolution of sound material, insects oscillating like drones reminiscent of the discs commencement, entomophobia, tunnels, passed out, miasma, life above, next layer, clamour of the upper levels seeping onto your skull, down the indented walls, are sounds coming towards you or are you going towards the sounds? Reoccurring crunching, heard with your eyes, realignment, looking up, again an open manhole cover, sparks of electricity hitting the dead concrete, what is the equivalent auditory terminology of a silent film? Relief 21:24, auditory storyboard, light, humorous, head sinking into a record player, intensely natural transition, each facet of each atmosphere is so real, so much so, it becomes harder and harder to quiet your mind, the thousands of imagistic unions. Album cover acts as a graphic score. Wind drenched landscape, recorded through a bottle, through a wall, a vacuum, the outside world heard through a beehive, inside out, complementarity, ectosymbiosis, felt through the senses of bacteria, auditory ecotone, saline meets fresh, attracting new life, ancient vessels rotting inside the whale, hulls rubbing against its rib bones, the blow hole of the whale creating a cyclic push and pull, enhancing the decay and rot, infrasound made audible, croaking beams, vast unseen patterns, microcosm of said images returning overhead, positive feedback, a fugue of micro and macro, each continually altering the others perspective, 37:02, torrential rain ends the story, drowning out all traces, leaving no remnants, an empty stomach to be filled with pistol shrimp, filters, a flock of birds heard through a wooden leg, temperature ebbs, ravenous birds dig at your feet, slowly engulfing. Listening through a tube whilst inside a tube, auditory retraction, cymatics, shapes form inside the tubes, sharp, a mended ear, feedback system, correlating information all over a series of circuits, receive as soon as send as soon as receive until such meanings are non-existent, roofs of the circuit in flux, naive realism, everywhere at once, vacant estates, drawing breath, a slow night, enclosed in a box, no ears, lead snow.&nbsp; Patrick Farmer, Bagatellen August 2009 &amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href="http://tarab.bandcamp.com/album/take-all-the-ships-from-the-harbour-and-sail-them-straight-into-hell"&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;take all the ships from the harbour, and sail them straight into hell by TARAB&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt; <img width="200" height="200" width_o="200" height_o="200" data-src="https://freight.cargo.site/t/original/i/2475d69039a1127b971ecefea8f85b1e37336fb46025f58eff83050502badafb/23five010_o.jpg" data-mid="28758368" border="0" src="https://freight.cargo.site/w/200/i/2475d69039a1127b971ecefea8f85b1e37336fb46025f58eff83050502badafb/23five010_o.jpg" /> wind keeps even dust away : 23five : 2007 Tarab has worked on the fringes of Melbourne's experimental sound world for several years now. He aims in his work to "recreate the interior environments which occur through our interaction with the commonplace and often overlooked." Wind Keeps Even Dust Away, whose five tracks take their titles from the five words of the album title's proposition, certainly has an undeniable, almost queasy sense of interiority. Despite ostensible stasis, its feeling of a great, broody particle mass shifting about, there's an underlying, sweeping motion to "Even" in particular which is so strong as to get right inside the head of the listener and inculcate that lurching, spinning feeling you get when you're about to be sick from alcohol. Imagine, however, if you can a rather more pleasing and edifying version of that feeling -- a cleverly particular take on the details and dynamics of electronic motion. David Stubbs. The Wire. Issue 280, June 2007 &amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href="http://tarab.bandcamp.com/album/wind-keep-even-dust-away"&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;wind keep even dust away by TARAB&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt; <img width="150" height="65" width_o="150" height_o="65" data-src="https://freight.cargo.site/t/original/i/18cb46b59480ef68f22bd2caccec3d87b4c5c575fd2c6ff4540c9f9f2db97b28/surfacedrift.jpeg" data-mid="28758460" border="0" data-scale="100" src="https://freight.cargo.site/w/150/i/18cb46b59480ef68f22bd2caccec3d87b4c5c575fd2c6ff4540c9f9f2db97b28/surfacedrift.jpeg" /> surfacedrift : naturestrip : 2004 Surfacedrift is the impressive debut album for Melbourne's Eamon Sprod who has adopted the moniker Tarab for his explorations of field recordings coupled with found object improvisation. Each of the four lengthy tracks maps out a psychogeography through sound, specifying the intimate details of these environments and accentuating the pre-existing natural elements with sympathetic textures performed by Sprod. Most of the time, Sprod's hand which can be heard rustling leaves or dragging objects through gravel is perfectly attuned to the natural settings, as to render his own scrablings almost indistinguishable from his recordings of wind violently creaking door hinges, waves lapping at coastal boulders, and rainwater spewing out of a clogged gutter. Where the boundaries between what is natural and performative are elusive at best on Surfacedrift, Sprod's compositional wandering through his complex spaces recalls intuitive collaging of material found in Francisco Lopez' epic La Selva and Chris Watson's Weather Report. Jim Haynes &amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href="http://naturestriplabel.bandcamp.com/album/surfacedrift"&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;surfacedrift by tarab&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt; https://sonicrubbish.com/NEWS Sun, 18 Nov 2018 23:04:50 +0000 sonic rubbish https://sonicrubbish.com/NEWS News <img width="1683" height="1480" width_o="1683" height_o="1480" data-src="https://freight.cargo.site/t/original/i/622f1eccc7db713ae657ad814328149b9c3773072a3b5aafb16608ed21485663/test.png" data-mid="239456845" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/622f1eccc7db713ae657ad814328149b9c3773072a3b5aafb16608ed21485663/test.png" /> ...coming soon : FOIL VOID JOIN AVOID / Aposiopèse &nbsp; FOIL VOID JOIN AVOID by eamon sprod Upcoming: ⨁ European tour jan-Feb 20 Jan 22 kKopfhoerer @ Lokal-int – Bienne/Biel, Switzerland Jan 23 Humus – Lausanne, Switzerland Jan 24 Archipel Urbain @ Le 102 - Grenoble, France Jan 29 Super-lab 19 @&nbsp;Las Naves -&nbsp;Valencia, Spain Jan 31 Antic Forn de Vallcarca&nbsp;– Barcelona, Spain Feb 2-6 : residency @ GMEA – Albi, France Feb 7 Audioblast #14 /APO33 @ Ateliers de Bitche - Nantes, FranceFeb 10 Bodeek -&nbsp; Bruxelle, Belgium Feb 11 Hoerbar - Hamburg, Germany Feb 18 Experimentik #91 @&nbsp; Theatre im Kino– Berlin, Germany Past <img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/e634b5fb41c230c49122f134bf4bf17b12c8eab04e75d20fd778355feb835f8a/Dec-7_flyer.png" data-mid="241201870" border="0" data-scale="82" src="https://freight.cargo.site/w/1000/i/e634b5fb41c230c49122f134bf4bf17b12c8eab04e75d20fd778355feb835f8a/Dec-7_flyer.png" /> ⨁ Sunday Dec 7th 120 Albert Street Brunswick eamon sprod = borrowed and fragmented audio / electronics+speakers / sonicrubbish.com line of apsides (callaway+hodson) = wheels, electronics, objects, field recordings and voice /colinhodson.net/ / instagram.com/j_j_callaway/120 Albert Street Brunswick4pm for 4.30pm first set. All done in time for sunday dinner.entry fee on a sliding scale $15 full / $10 concession / $0 first nations and those under 18 <img width="1749" height="2186" width_o="1749" height_o="2186" data-src="https://freight.cargo.site/t/original/i/db19c5e69b8923d5f53c41bd48797399120062fe16b1e3ff64ed746c0405846a/Eamon-Sprod-NZ-2025_A_web.png" data-mid="234745847" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/db19c5e69b8923d5f53c41bd48797399120062fe16b1e3ff64ed746c0405846a/Eamon-Sprod-NZ-2025_A_web.png" /><img width="660" height="933" width_o="660" height_o="933" data-src="https://freight.cargo.site/t/original/i/223a6782e6117e084bc8ccac5706cfdb23aa153ab495b7bda47f206d910e2878/2025-EAMON-SPROD_-POSTER-660x933.png" data-mid="234745713" border="0" data-scale="80" src="https://freight.cargo.site/w/660/i/223a6782e6117e084bc8ccac5706cfdb23aa153ab495b7bda47f206d910e2878/2025-EAMON-SPROD_-POSTER-660x933.png" /> July 2025 ⨁&nbsp; Friday 4 July - Saturday 2 August - The Audio Foundation &nbsp; Social Objectsinstallation for objects, sound, light and room.opening: Thusday 3rd The Audio Foundation - 4 Poynton Tce, Auckland, Aotearoa/New ZealandAotearoa/New Zealand performances ⨁&nbsp; Friday 4- Audio Foundation - Tāmaki-makau-rau / Auckland &nbsp; 4 Poynton Tce, Auckland, Aotearoa/New Zealand more info here⨁&nbsp; Satuday 5 - Audio Foundation - Tāmaki-makau-rau / Aucklandperformance/artist talk (afternoon)- 4 Poynton Tce, Auckland, Aotearoa/New Zealand more info here ⨁ Friday 11 - Heretaunga / Hastings- venue to be confirmed⨁&nbsp; Satuday 12 - The Pyramid Club - Te Whanga-nui-a-Tara / Wellington 272 Taranaki Street, Wellington, Aotearoa/New Zealand www.pyramidclub.org.nz/eamon-sprod-au-garrulous-sax-jeff-henderson-simon-ororke-pedro-dali ⨁ Sunday 13 - Kaiwaewae / Featherston -venue to be confirmed⨁ Wednesday 16th - Space Academy - Ōtautahi / Christchurch371 St Asaph , Christchurch, Aotearoa/New Zealand ⨁ Satuday 19th - Lyttelton Coffee Company - Lyttelton - Ōtautahi / Christchurch 29 london street, lyttelton,&nbsp; ōtautahi,&nbsp; Aotearoa/New Zealand www.lytteltoncoffeeco.co.nz/cafe ⨁ satuday 26th - Harsh Nise Soft Coffee at&nbsp; Rdc - Ōtepoti / Dunedin346 George Street, Ōtepoti / Dunedin April 2025 ⨁ Saturday 24 April-Saturday 24 May Small Talk : a non-verbal conversation - GalleryGalleryan unfolding and collaborative installation with Justas Pipinisopening event 24 April 6-9pm - closing event&nbsp; afternoon of 24 May (more details soon)Gallery open to public each satuday for the duration 10am-4pmGalleryGallery - 1/ Floor 1 7 Hope St, Brunswickgallerygalleryinc.com March 2025 ⨁ Saturday 29 - 1-6pm Hyphae (mycelium) - Blindsidecurated by Tina Douglas multiple performances in response to spatial graphic score by Tina DouglasBlindside - The Nicholas Building: 
Room 14, Level 7, 37 Swanston Street October 2023 ⨁ Friday Oct 6th - Nov 12 contained / espaceinstallation La Chaufferie. HEAR, Strasbourg, France. Opening Oct 4th, 18:30www.hear.fr/agenda/contained-espace ⨁ Sunday 15thPetersburg Art Space - Berlin with Simon Whetham, Masahide Tokunaga&nbsp; and Lucio Capece.pas-berlin.org ⨁ Wednesday 18th&nbsp; C3 Acousmonium. Milan, Italy ⨁ Friday 20th&nbsp; LUFF festival - performance Salle des Fêtes. Lausanne, Switzerland. 2023.luff.ch ⨁ Saturday 21st LUFF festival - workshopLausanne, Switzerland.2023.luff.ch September 2023 ⨁ Wednesday 6th &nbsp; Jen Callaway and TARABLong Play Cinema318 St. Georges Rd. Fitzroy North.FB event link August 2023 ⨁ Material Studies #2+#3 digital release on Sonic Rubbishsonicrubbish.bandcamp.com/album/material-studies-2-3 November 2022 ⨁ Crawlspace with David Prescott-Steed&nbsp; (Unfathomless) Crawlspace developed from dialogue between ourselves, as well as between us and the long, narrow storm water drain known as Bell Stairs. The physicality of the space shaped our movements within it; how we moved through the space impacted upon what was heard and how we listened. This informed what additional sounds we introduced and how we introduced them, which in turn shaped our movements … and so on.&nbsp; The recorded traces of this process have been arranged to reflect some of these spatial conversations, comprising clusters of activity interspersed by the sound of the distant water, the traffic above our heads or a single drip drawing us on further down the tunnel. You can hear our movement through the darkness, and the sounds of our somewhat futile attempts to coax Bell Stairs to answer back. Feburary 2022 ⨁ ROOMS (Ferns Recordings) Available now : fernsrecordings.bandcamp.com/album/rooms Shaped from various recordings of installations and spatial works presented over 2019-21 ... however ROOMS is not intended to act as a straight document of these installations. Rather, it explores some of the ideas and methods which emerged from the process, within the space formed by a pair of stereo speakers situated in yet another room. Recorded audio material is explored as a shifting series of perceivable surfaces, textures and depths; traces of places and actions; points in space; vibration of speaker cone and microphone diaphragm; resonant objects acting as small sounding containers within larger containers; movements of air; a constant shifting set of perspectives; the traces that are left behind; debris gathered up and pawed over. Recorded sound is gathered and understood as partial, fragmentary, incomplete. December 2021 ⨁ Material Studies #2 : Taâlem : available now&nbsp; Interview with Tom Soloveitzik about HOLES, and an interview with Luciano Maggiore about his release Drenched Thatched Roof published in Recordedness online journal.&nbsp;recordedness.org/interviews April-May 2021 ⨁&nbsp; I Am Outside site-responsive installation: Multi-channel audio, speakers, objects, light and room. The Living Museum of the West Pipemakers Park, Van Ness Avenue, Maribyrnong VIC 3032 Friday 30 April&nbsp;11am-4pm Sat 1 May&nbsp;1pm-4pm. Exhibition opening and artist talk in conversation with Sally Anne McIntyre at 2pm. Thu 6 May 11am-4pm Fri 7 May 11am-4pm Sat 8 May&nbsp;1pm-4pm FB event link Febuary 2021⨁ Saturday 27 Starlings Spatial Sound Collective is a group of sound artists dedicated to the investigation, demystification and celebration of spatialised sound. Starlings will present two sessions on this day that will include a mixture of performed and installed works: a new, site specific composition made in the natural environments around McClelland Sculpture Park+Gallery. Saturday 27 February 2021 12:00 PM and Saturday 27 February 2021 3:00 PM 390 McClelland Drive, Langwarrin, Vic 3910 www.trybooking.com/events/landing?eid=702718 October 2020⨁ Saturday 24&nbsp; A new quadrophonic piece title Oblique Containers will be presented at the OORtreders Festval -&nbsp; Provinciaal Domein Dommelhof (BE) as part of the listening program curated by Dominik ‘t Jolieoortreders.com/nl/activities/dominik-t-jolle-listening-program April 2020⨁&nbsp; I have a new TARAB piece - created from recordings made inside my house over the last month - now available as part of the Amplify 2020: Quarantine online festival.&nbsp; All sounds collected, arranged and re-arranged 26 March-25 April 2020: rooms, inhabitants, contents, external activity, speakers, microphones. amplify2020.bandcamp.com/album/41-containers March 2020⨁&nbsp; An interview with Cedric Peyronnet in Toulouse Feb 2020www.kaon.org/tarab-eamon-sprod-interview/ Febuary 2020⨁&nbsp;An interview with TARAB by Nico Bogaerts ... in Brussels Feb 2020 .. including live recording from Les Atelier Clauswww.radiopanik.org/emissions/moacrealsloa/eamon-sprod-a-k-a-tarab-/ ⨁ Friday 21Le Lieu Multiple: Planetarium @ Espace Mendès&nbsp; : Poitiers, Francelieumultiple.org/10702/tarab-eamon-sprod-aus-2 ⨁ Thursday 20 Lecture + Performance. SÉMINAIRE REFLEXIO 2020 : Synesthésie ¬ MMAINTENANT : Saint-Denis, France mmaintenant.org ⨁ Saturday 15 Gregory Büttner + Felicity Mangan + TARAB Centro Sociale : Hamburg, Germanywww.centrosociale.de/termin/2020-02-15/konzert-tarab-gregory-buettner ⨁ Wednesday 12 Thomas Tilly + Yvan Etienne + TARAB Les Atelier Claus - Brussels, Belgium lesateliersclaus.com/activities/aposiopese⨁ Tues 11th L'ocelle mare + Yvan Etienne + TARAB Fragment : Café Jehanne D’Arc : Metz, France FB Page ⨁Sunday 9th Kate Carr + Yvan Etienne + TARAB Apologies in Advance : Cafe Oto. London, UK www.cafeoto.co.uk/events/apologies-in-advance-15 ⨁ Friday 7th Yvan Etienne + TARAB DAda : Toulouse, FranceFB event page ⨁ Wednesday 5th Yvan Etienne + TARAB WURM : Basel,&nbsp;Switzerlandflatterschafft.ch ⨁ Tuesday 4th Yvan Etienne + TARAB Le Diamant D’Or : Strasbourg, France FB event page Jan 2020⨁ Friday 31 The Centerpoint #24 : Cinéma Bellevaux. Lausanne, Switzerlandcinemabellevaux.ch/the-centerpoint/ December 2019 ⨁ Tues 3Verhalten + DFFDL + Tarab + Spasmoslop + Is there a gnaugmnline? Longplay Cinema318 St Georges Rd, Fitzroy North facebook.com/events/397233584276628 November 2019⨁ Monday 18 AMBULANT CONTAINER Radio Cegeste + Haulout Seal Orchesra + TARAB Longplay Cinema318 St Georges Rd, Fitzroy North October 2019⨁ Sunday 20Broadcast of HOMEWORK_radio mix. For THe Radia Network. radia.fm/2019/10/show-761-homework_radio-mix-by-tarab-radio-one-dunedin-new-zealand August 2019⨁ Saturday 31 THE ROARING FORTIES Julia Drouhin, Dylan Sheridan, Emily Sheppard, tarab, Sonnett. Contemporary Art Tasmania7 - 9pm A FREE EVENT facebook.com/events/2168579013440752/ contemporaryarttasmania.org/program/the-roaring-forties ⨁ new release: Bidödaren (Ferns) Compilation featuring Daniel Menche, Steve Roden, Joe Colley, BJ Nilsen,&nbsp;Toy Bizarre, Small Cruel Party Yannick Dauby, and Tarab. Responding to a draw by Leif Elggren. Available here: fernsrecordings.bandcamp.com/album/bid-daren May&nbsp; 2019⨁ Sunday 26 AMBULANT CONTAINER Radio Cegeste :: Martin Kay :: Michael GF Prior :: Tarab SUNDAY 26 MAY : 6:30pm for 7PM START : $10 MAGNET SPATIAL STUDIO : 11 ROOSEVELT ST. COBURG NORTH FB event page Febuary 2019⨁ Friday 15th new release: Friche : Transition : collaboration with Eric La Casa (Swarming) Januarary 2019⨁ Saturday 19th performance at Tilde New Music Festival at Testing Grounds my set at 1pm in the Black Box .... for more details visit .... tilde.net.au/festival December 2018⨁ release of HOUSEKEEPING ...new CD on Sonic Rubbish https://sonicrubbish.com/INSTALLATIONS_SITES Mon, 03 Dec 2018 22:20:50 +0000 sonic rubbish https://sonicrubbish.com/INSTALLATIONS_SITES Installations and site responsive performances 2026 Catachresis Installation for 16 channel audio, speakers, light (electric and filtered sunlight), mirrors, found objects, photograph (printed and found), furniture, and room. Gallerygallery inc. Melbourne photos : Campbell Walker. <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/78a46dce2eafbb3e34599751c40619dc21c1da9704ffd54349b4ed35a04585c3/P4134727.JPG" data-mid="253679031" border="0" src="https://freight.cargo.site/w/1000/i/78a46dce2eafbb3e34599751c40619dc21c1da9704ffd54349b4ed35a04585c3/P4134727.JPG" /> <img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/4b702ec1216b6751d3c6adcf8c7aa63aa619d522829e18f5b5d7183baa228b66/P4123420.JPG" data-mid="253679025" border="0" src="https://freight.cargo.site/w/1000/i/4b702ec1216b6751d3c6adcf8c7aa63aa619d522829e18f5b5d7183baa228b66/P4123420.JPG" /> <img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/6fc17d5f8d350fc56a3cf0ee534f94915464a1ee7ad6dca6fcbf4941e1d97f26/P4123679.JPG" data-mid="253679027" border="0" 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height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/db3588f2f16ead625a32231237f943bd9bd3431905445b65c6b8eebbdd098c39/P4134166.JPG" data-mid="253679087" border="0" src="https://freight.cargo.site/w/1000/i/db3588f2f16ead625a32231237f943bd9bd3431905445b65c6b8eebbdd098c39/P4134166.JPG" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/54af25eb3b280d87aae3a7ffc3a1a2e412cf985b1dc368932678a3e41f443d48/P4134198.JPG" data-mid="253679088" border="0" src="https://freight.cargo.site/w/1000/i/54af25eb3b280d87aae3a7ffc3a1a2e412cf985b1dc368932678a3e41f443d48/P4134198.JPG" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/9e392c51db67125d9f7e21290dd29dbdcf48d927dc9a3420bbe5f609351af98d/P4134216.JPG" data-mid="253679090" border="0" 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data-src="https://freight.cargo.site/t/original/i/cb1e0707388c78c9d21b92a26642023e37fda783f63dc71058d78d49da63f833/P4134347.JPG" data-mid="253679091" border="0" src="https://freight.cargo.site/w/1000/i/cb1e0707388c78c9d21b92a26642023e37fda783f63dc71058d78d49da63f833/P4134347.JPG" /> <img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/e943e03fb49699141e2fae5517d580a969b8db898e8f4ab4071489fd1570a44f/P4134364.JPG" data-mid="253679092" border="0" src="https://freight.cargo.site/w/1000/i/e943e03fb49699141e2fae5517d580a969b8db898e8f4ab4071489fd1570a44f/P4134364.JPG" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/8b5f922288d7eb2a9b5a5100f3e76e5c97c99724163665408084f41ec2b36edb/P4134457.JPG" data-mid="253679095" border="0" src="https://freight.cargo.site/w/1000/i/8b5f922288d7eb2a9b5a5100f3e76e5c97c99724163665408084f41ec2b36edb/P4134457.JPG" /> 2025 Social ObjectsInstallation for objects, sound, light and room.The Audio Foundation. Tamaki-makau-rau/Auckland, Aotearoa/New Zealand <img width="1464" height="1080" width_o="1464" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8f7e9270d4f5013ab17c8e937e8ff8667fc3fb1d7f69437ad00331db7723b50c/Eamon-Sprod_Social-Objects.jpg" data-mid="253679097" border="0" src="https://freight.cargo.site/w/1000/i/8f7e9270d4f5013ab17c8e937e8ff8667fc3fb1d7f69437ad00331db7723b50c/Eamon-Sprod_Social-Objects.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/83f5bb5a5af29a92e4ca0ab23eb5fe0b86d889c9079d6e02e11eb5607600a4fc/DSCF7139.JPG" data-mid="239028037" border="0" src="https://freight.cargo.site/w/1000/i/83f5bb5a5af29a92e4ca0ab23eb5fe0b86d889c9079d6e02e11eb5607600a4fc/DSCF7139.JPG" /> <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/999a1b9433302538d672f0d1d9e811c674db2f16ff91fcfbf84890e525aa3a52/DSCF7254.JPG" data-mid="239028046" 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height="4080" width_o="3072" height_o="4080" data-src="https://freight.cargo.site/t/original/i/5f22c8b751c7ee3f8a83ac4f0af1410000eec3f451f648679fb42a72a267a2d7/IMG_20250703_095036824.jpg" data-mid="239028052" border="0" src="https://freight.cargo.site/w/1000/i/5f22c8b751c7ee3f8a83ac4f0af1410000eec3f451f648679fb42a72a267a2d7/IMG_20250703_095036824.jpg" /> <img width="6144" height="8192" width_o="6144" height_o="8192" data-src="https://freight.cargo.site/t/original/i/4cca2540b7ed809e4bb83f3e6f5ad170e36af1d2ce2645e302dba52318f041b2/IMG_20250703_093805435.jpg" data-mid="239028050" border="0" src="https://freight.cargo.site/w/1000/i/4cca2540b7ed809e4bb83f3e6f5ad170e36af1d2ce2645e302dba52318f041b2/IMG_20250703_093805435.jpg" /> <img width="3072" height="4080" width_o="3072" height_o="4080" data-src="https://freight.cargo.site/t/original/i/28c8d53597a28dac3e498ec38835ee9b317b6d15e412af1be3be6861987adbd5/IMG_20250703_095022638.jpg" data-mid="239028051" border="0" 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data-src="https://freight.cargo.site/t/original/i/898b24ca35299ab0f16867a4e30f5180937ae1fe91359c140e1d0e9340cd7a05/IMG_20250703_093709121.jpg" data-mid="239028048" border="0" src="https://freight.cargo.site/w/1000/i/898b24ca35299ab0f16867a4e30f5180937ae1fe91359c140e1d0e9340cd7a05/IMG_20250703_093709121.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/b5bb9ca072b01c96ee745bbb2cc02f1dad01b950a13320eaf5153a751091465f/DSCF7212.JPG" data-mid="239028045" border="0" src="https://freight.cargo.site/w/1000/i/b5bb9ca072b01c96ee745bbb2cc02f1dad01b950a13320eaf5153a751091465f/DSCF7212.JPG" /> small talk : a conversation without words with Justas Pipinis each artist took 48 hour turns to add or alter the gallery space to form an evolving and installed conversation through things.&nbsp; various materials. Gallerygallery inc. Melbourne <img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/a01968786e588291f3c5fd6a5ce1c79819bd2c68ae3f099f142d76bd5f297436/01_FOUND_240425_Justas-move-01.jpg" data-mid="233975690" border="0" src="https://freight.cargo.site/w/1000/i/a01968786e588291f3c5fd6a5ce1c79819bd2c68ae3f099f142d76bd5f297436/01_FOUND_240425_Justas-move-01.jpg" /> <img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/175e2dbf8f4fe3a0ef79737bf28a1f8bf7ff765cdee349b7ec00be489d797497/05_FOUND_280425_Justas-move-02.jpg" data-mid="233975691" border="0" src="https://freight.cargo.site/w/1000/i/175e2dbf8f4fe3a0ef79737bf28a1f8bf7ff765cdee349b7ec00be489d797497/05_FOUND_280425_Justas-move-02.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" 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data-src="https://freight.cargo.site/t/original/i/12d7d3eb7fa0fc47e8b47186f4e4abfb6fce3ee3d0cd03e54d34be9b55be477f/DSCF4961.JPG" data-mid="233975602" border="0" src="https://freight.cargo.site/w/1000/i/12d7d3eb7fa0fc47e8b47186f4e4abfb6fce3ee3d0cd03e54d34be9b55be477f/DSCF4961.JPG" /> <img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/be8a3969868b114a231b5bf9929c91b107daa692d057935d9f968708bea70422/10_LEFT_030525_Justas-move-03.jpg" data-mid="233975692" border="0" src="https://freight.cargo.site/w/1000/i/be8a3969868b114a231b5bf9929c91b107daa692d057935d9f968708bea70422/10_LEFT_030525_Justas-move-03.jpg" /> <img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/7dccc41042ad5e66c0e8f0ad0a9f23b96ca9450798888e50b6606d27cfaa0244/13_FOUND_060525_Justas-move-04.jpg" data-mid="233975693" border="0" 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data-src="https://freight.cargo.site/t/original/i/cee8f38f4ec342b273e9906b04bbe9d7651736a090c94e29873b885c49f2d4b6/DSCF5062.JPG" data-mid="233975604" border="0" src="https://freight.cargo.site/w/1000/i/cee8f38f4ec342b273e9906b04bbe9d7651736a090c94e29873b885c49f2d4b6/DSCF5062.JPG" /> <img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/e21a6ce88fbe948c5c63eed1f910e66abc5b62c07553c7e4352b75d0b6946608/28_LEFT_210525_eamon_move-07.JPG" data-mid="233975597" border="0" src="https://freight.cargo.site/w/1000/i/e21a6ce88fbe948c5c63eed1f910e66abc5b62c07553c7e4352b75d0b6946608/28_LEFT_210525_eamon_move-07.JPG" /> <img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/f3028ec7e615da239ed2204deb97bf688533265dece5c9a164d99258ff0388fe/25_FOUND_180525_Justas-move-07.jpg" data-mid="233975695" border="0" 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data-src="https://freight.cargo.site/t/original/i/1363a86a7d9aa1f3d936b88a49527c559b1d21ac5b6c2fb5f27a728d923c6af8/Small-Talk-reverse_GALLERYGALLERY-INC.png" data-mid="233975608" border="0" src="https://freight.cargo.site/w/1000/i/1363a86a7d9aa1f3d936b88a49527c559b1d21ac5b6c2fb5f27a728d923c6af8/Small-Talk-reverse_GALLERYGALLERY-INC.png" /> 2024 untitled residency/installation multi-channel audio, speakers, objects, light, shadows, room. RunArtistRun. Melbourne. <img width="1200" height="801" width_o="1200" height_o="801" data-src="https://freight.cargo.site/t/original/i/cb67966ad5fafe7df10b913e0ae98040a2ea3a2d8c04131a69069f50cf7154a4/DSCF3300.JPG" data-mid="218001666" border="0" src="https://freight.cargo.site/w/1000/i/cb67966ad5fafe7df10b913e0ae98040a2ea3a2d8c04131a69069f50cf7154a4/DSCF3300.JPG" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/e56bea73eeab74a0c80572cc790d2a284d58ce2fcc6be72415f845613e7510d0/DSCF3065.JPG" data-mid="218001215" border="0" src="https://freight.cargo.site/w/1000/i/e56bea73eeab74a0c80572cc790d2a284d58ce2fcc6be72415f845613e7510d0/DSCF3065.JPG" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/03f1dfecf55f5a847710f90cda82b99fe300c650cefafc518f55b73da689da25/DSCF3066.JPG" data-mid="218001216" border="0" 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data-src="https://freight.cargo.site/t/original/i/d14cf8aabbf362ce76e5b11bf5843eb3cc6b57bd3a0b2c9f8cfe79d3dc10489e/DSCF2864.JPG" data-mid="218001626" border="0" src="https://freight.cargo.site/w/1000/i/d14cf8aabbf362ce76e5b11bf5843eb3cc6b57bd3a0b2c9f8cfe79d3dc10489e/DSCF2864.JPG" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/b2957540ab0965c702b9a600bd61eca49e431d7964bdb0fb580ee560ca686a55/DSCF2865.JPG" data-mid="218001627" border="0" src="https://freight.cargo.site/w/1000/i/b2957540ab0965c702b9a600bd61eca49e431d7964bdb0fb580ee560ca686a55/DSCF2865.JPG" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/65160b7223f40b0bc41d62f62af35a34d3662eec2dac21f9a4e9614919f8e2a1/DSCF2868.JPG" data-mid="218001629" border="0" src="https://freight.cargo.site/w/1000/i/65160b7223f40b0bc41d62f62af35a34d3662eec2dac21f9a4e9614919f8e2a1/DSCF2868.JPG" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/0dff85e486cd22b0ae7d9136edc9a9c8eb1c92414f91ef9f4da041a0b58b9052/DSCF2871.JPG" data-mid="218001630" border="0" src="https://freight.cargo.site/w/1000/i/0dff85e486cd22b0ae7d9136edc9a9c8eb1c92414f91ef9f4da041a0b58b9052/DSCF2871.JPG" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/a0ef9ac75d67ef346d2cb3f83bf200118e655381a034ab3adb71ea361469ae23/DSCF2873.JPG" data-mid="218001631" border="0" src="https://freight.cargo.site/w/1000/i/a0ef9ac75d67ef346d2cb3f83bf200118e655381a034ab3adb71ea361469ae23/DSCF2873.JPG" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/a994bfdf3c3d0ef1ebace230daa602c58dcb4f9c28d1dc4594433f14b71e0c0d/DSCF2876.JPG" data-mid="218001632" border="0" 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data-src="https://freight.cargo.site/t/original/i/38e584cc676d822d3a4a1a76af7b737ecac9d529d794f1af708174b739ae51f3/DSCF2899.JPG" data-mid="218001635" border="0" src="https://freight.cargo.site/w/1000/i/38e584cc676d822d3a4a1a76af7b737ecac9d529d794f1af708174b739ae51f3/DSCF2899.JPG" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/4f7c386f892876b1a8e5631adc0dfe05e93dd793dc9730be43e538a1a08582b2/DSCF2963.JPG" data-mid="218001638" border="0" src="https://freight.cargo.site/w/1000/i/4f7c386f892876b1a8e5631adc0dfe05e93dd793dc9730be43e538a1a08582b2/DSCF2963.JPG" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/4e15f7aec0958cd7aad6363bda0757a14839de6fa52cc338252a8bed61717969/DSCF3033.JPG" data-mid="218001640" border="0" src="https://freight.cargo.site/w/1000/i/4e15f7aec0958cd7aad6363bda0757a14839de6fa52cc338252a8bed61717969/DSCF3033.JPG" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/436dbaa76cddeadc5e1226fd5df25d721c8fcea7192376e31731798226564072/DSCF3035.JPG" data-mid="218001641" border="0" src="https://freight.cargo.site/w/1000/i/436dbaa76cddeadc5e1226fd5df25d721c8fcea7192376e31731798226564072/DSCF3035.JPG" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/bf01b14ec3441231f992eb94aa5c48c413c6f4b4d9cc8b21221e841e80483fb9/DSCF3080.JPG" data-mid="218001644" border="0" src="https://freight.cargo.site/w/1000/i/bf01b14ec3441231f992eb94aa5c48c413c6f4b4d9cc8b21221e841e80483fb9/DSCF3080.JPG" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/331cde4935ba3dc617c8b2fe4bf81ec5da53cda5e6cacfd7baeb489fb06f69b0/DSCF3096.JPG" data-mid="218001646" border="0" src="https://freight.cargo.site/w/1000/i/331cde4935ba3dc617c8b2fe4bf81ec5da53cda5e6cacfd7baeb489fb06f69b0/DSCF3096.JPG" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/1c700ad8ff0be2a7994172cc3e7f583f0a8c08b83a41fed9ba45e5cc707165f5/DSCF3101.JPG" data-mid="218001647" border="0" src="https://freight.cargo.site/w/1000/i/1c700ad8ff0be2a7994172cc3e7f583f0a8c08b83a41fed9ba45e5cc707165f5/DSCF3101.JPG" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/303f3cc0987239e854f6a593daa025d383d841f3f7505267c7fd3783987539ad/DSCF3102.JPG" data-mid="218001648" border="0" src="https://freight.cargo.site/w/1000/i/303f3cc0987239e854f6a593daa025d383d841f3f7505267c7fd3783987539ad/DSCF3102.JPG" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/c69049553ff9e7fc8640fcf00078bd6aeda5235a146f887b03d2ba68ca388d45/DSCF3118.JPG" data-mid="218001655" border="0" src="https://freight.cargo.site/w/1000/i/c69049553ff9e7fc8640fcf00078bd6aeda5235a146f887b03d2ba68ca388d45/DSCF3118.JPG" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/d08e87893650bf9d891a9f1b23476489de748363623f3b84eb5ca39960b82f61/DSCF3242.JPG" data-mid="218001659" border="0" src="https://freight.cargo.site/w/1000/i/d08e87893650bf9d891a9f1b23476489de748363623f3b84eb5ca39960b82f61/DSCF3242.JPG" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/4b4c4e322e9c3b0c44f1444340f4046558aa523803976430e54ff0392ce208ca/DSCF3243.JPG" data-mid="218001660" border="0" src="https://freight.cargo.site/w/1000/i/4b4c4e322e9c3b0c44f1444340f4046558aa523803976430e54ff0392ce208ca/DSCF3243.JPG" /> <img width="1200" height="800" src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" data-src="https://freight.cargo.site/t/original/i/3454e24effd84bdff7ed2c1b4c6a70923d271070f74b74cb9961538850ba72a7/DSCF3248.JPG"> 2023 contained / espace multi-channel audio, speakers, objects, light, shadows, room. La Chaufferie, Haute Ecole Des Arts du Rhin, Stransbourg, France. photos: Antoine Lejolivet https://www.hear.fr/agenda/contained-espace/ <img width="1498" height="1000" width_o="1498" height_o="1000" data-src="https://freight.cargo.site/t/original/i/fa1f1189f44c939363abf5239843e1e2ed9cf42c79e2ffcc3cd14c952f01c702/02contained-espace-Eamon-Sprod-A.Lejolivet-HEAR.jpg" data-mid="196098426" border="0" src="https://freight.cargo.site/w/1000/i/fa1f1189f44c939363abf5239843e1e2ed9cf42c79e2ffcc3cd14c952f01c702/02contained-espace-Eamon-Sprod-A.Lejolivet-HEAR.jpg" /> <img width="1498" height="1000" width_o="1498" height_o="1000" data-src="https://freight.cargo.site/t/original/i/fc60c598916bc52affe85398ef345679ac57f6d13c0ccdd6ffe52dee24339e92/02contained-espace-Eamon-Sprod--A.Lejolivet-HEAR.jpg" data-mid="196098767" border="0" src="https://freight.cargo.site/w/1000/i/fc60c598916bc52affe85398ef345679ac57f6d13c0ccdd6ffe52dee24339e92/02contained-espace-Eamon-Sprod--A.Lejolivet-HEAR.jpg" /> <img width="1498" height="1000" width_o="1498" height_o="1000" data-src="https://freight.cargo.site/t/original/i/e63af7bf2b39637adcb4af88285337f18d73d2c7a7c1d9296367b9fda84a998f/03contained-espace-Eamon-Sprod--A.Lejolivet-HEAR.jpg" data-mid="196098771" border="0" src="https://freight.cargo.site/w/1000/i/e63af7bf2b39637adcb4af88285337f18d73d2c7a7c1d9296367b9fda84a998f/03contained-espace-Eamon-Sprod--A.Lejolivet-HEAR.jpg" /> <img width="1498" height="1000" width_o="1498" height_o="1000" data-src="https://freight.cargo.site/t/original/i/b80783711710d7b266d71b4cec58c301295a12d2c780fc18fcba8e171f7553a5/04Bcontained-espace-Eamon-Sprod--A.Lejolivet-HEAR.jpg" data-mid="196098784" border="0" src="https://freight.cargo.site/w/1000/i/b80783711710d7b266d71b4cec58c301295a12d2c780fc18fcba8e171f7553a5/04Bcontained-espace-Eamon-Sprod--A.Lejolivet-HEAR.jpg" /> <img width="1000" height="1499" width_o="1000" height_o="1499" data-src="https://freight.cargo.site/t/original/i/a73e3c885a307029f144591c72e22c26b7d12a47f3b6436ecc6fa2e780e3a709/09contained-espace-Eamon-Sprod-A.Lejolivet-HEAR.jpg" data-mid="196098430" border="0" src="https://freight.cargo.site/w/1000/i/a73e3c885a307029f144591c72e22c26b7d12a47f3b6436ecc6fa2e780e3a709/09contained-espace-Eamon-Sprod-A.Lejolivet-HEAR.jpg" /> <img width="1498" height="1000" width_o="1498" height_o="1000" data-src="https://freight.cargo.site/t/original/i/6f5bd1788cc8e80d2bd79334caadb13760c5de6ae6689ce26766005d1468b9f3/04contained-espace-Eamon-Sprod-A.Lejolivet-HEAR.jpg" data-mid="196098427" border="0" src="https://freight.cargo.site/w/1000/i/6f5bd1788cc8e80d2bd79334caadb13760c5de6ae6689ce26766005d1468b9f3/04contained-espace-Eamon-Sprod-A.Lejolivet-HEAR.jpg" /> <img width="1498" height="1000" width_o="1498" height_o="1000" data-src="https://freight.cargo.site/t/original/i/b16691e072731680b982dd86d7a39f225df6225d28a245bba7c268c57641ae47/10contained-espace-Eamon-Sprod-A.Lejolivet-HEAR.jpg" data-mid="196098431" border="0" src="https://freight.cargo.site/w/1000/i/b16691e072731680b982dd86d7a39f225df6225d28a245bba7c268c57641ae47/10contained-espace-Eamon-Sprod-A.Lejolivet-HEAR.jpg" /> <img width="1498" height="1000" width_o="1498" height_o="1000" data-src="https://freight.cargo.site/t/original/i/bfd556f82a33535d6cdb131fd1ebbae0cdeeed8d8863f26f962ceb3296f33797/11contained-espace-Eamon-Sprod-A.Lejolivet-HEAR.jpg" data-mid="196098432" border="0" src="https://freight.cargo.site/w/1000/i/bfd556f82a33535d6cdb131fd1ebbae0cdeeed8d8863f26f962ceb3296f33797/11contained-espace-Eamon-Sprod-A.Lejolivet-HEAR.jpg" /> <img width="1498" height="1000" width_o="1498" height_o="1000" data-src="https://freight.cargo.site/t/original/i/629c93ea92e1a46f9104f164d2db01641872f30319224713f2da881eef2aaddb/12contained-espace-Eamon-Sprod-A.Lejolivet-HEAR.jpg" data-mid="196098433" border="0" src="https://freight.cargo.site/w/1000/i/629c93ea92e1a46f9104f164d2db01641872f30319224713f2da881eef2aaddb/12contained-espace-Eamon-Sprod-A.Lejolivet-HEAR.jpg" /> <img width="1498" height="1000" width_o="1498" height_o="1000" data-src="https://freight.cargo.site/t/original/i/638d97c793c21a26d62b14d67fa91ed830f2a5922a46899c5ff6d832720fdf2f/05contained-espace-Eamon-Sprod--A.Lejolivet-HEAR.jpg" data-mid="196098738" border="0" src="https://freight.cargo.site/w/1000/i/638d97c793c21a26d62b14d67fa91ed830f2a5922a46899c5ff6d832720fdf2f/05contained-espace-Eamon-Sprod--A.Lejolivet-HEAR.jpg" /> Rooms within Rooms multi-channel audio, speakers, objects, light, room. Site-8 Gallery, RMIT university. Melbourne photos: Michael Quinlan <img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/b554794838fe32026d470b41658234575e7f4695301d5901e5a294b2f7049a3d/044A0883.jpg" data-mid="173100580" border="0" src="https://freight.cargo.site/w/1000/i/b554794838fe32026d470b41658234575e7f4695301d5901e5a294b2f7049a3d/044A0883.jpg" /> <img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/b8fc8ea148e976a7e7362d49aff7769929e3be5353d26481f813677608c58240/044A0892.jpg" data-mid="173100609" border="0" src="https://freight.cargo.site/w/1000/i/b8fc8ea148e976a7e7362d49aff7769929e3be5353d26481f813677608c58240/044A0892.jpg" /> <img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/7dac7b1992d9a65ae30abef450aebffb32364e5a58e2183b918632f64b7936d2/044A0893.jpg" data-mid="173100620" border="0" src="https://freight.cargo.site/w/1000/i/7dac7b1992d9a65ae30abef450aebffb32364e5a58e2183b918632f64b7936d2/044A0893.jpg" /> <img width="4480" height="6720" width_o="4480" height_o="6720" data-src="https://freight.cargo.site/t/original/i/a16bf591746982d40c624a596bc474449ad3ab0d0778cf8b34d9427ea33e2058/044A0885.jpg" data-mid="173100582" border="0" src="https://freight.cargo.site/w/1000/i/a16bf591746982d40c624a596bc474449ad3ab0d0778cf8b34d9427ea33e2058/044A0885.jpg" /> <img width="4480" height="6720" width_o="4480" height_o="6720" data-src="https://freight.cargo.site/t/original/i/054ebe7732ce20d0d1bc4701a2fa7b644377aa62bb4beff60c5fc90890b0d2fc/044A0915.jpg" data-mid="173100641" border="0" src="https://freight.cargo.site/w/1000/i/054ebe7732ce20d0d1bc4701a2fa7b644377aa62bb4beff60c5fc90890b0d2fc/044A0915.jpg" /> <img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/fc3510d7a2cc75f6a131ccbc850a005d3ee33524b9a462dd98f00850ab88f463/044A0902.jpg" data-mid="173100689" border="0" src="https://freight.cargo.site/w/1000/i/fc3510d7a2cc75f6a131ccbc850a005d3ee33524b9a462dd98f00850ab88f463/044A0902.jpg" /> <img width="4105" height="6157" width_o="4105" height_o="6157" data-src="https://freight.cargo.site/t/original/i/0964093f22a4be206d5dc4d243d7a24faa773abfcc0f214f206d1de9ed83b4fc/044A0904.jpg" data-mid="173100691" border="0" src="https://freight.cargo.site/w/1000/i/0964093f22a4be206d5dc4d243d7a24faa773abfcc0f214f206d1de9ed83b4fc/044A0904.jpg" /> <img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/e733324c2685109aeb35eca11ae77050d17c12ead57d28b336cd1e8ce8523c80/044A0914.jpg" data-mid="173100693" border="0" src="https://freight.cargo.site/w/1000/i/e733324c2685109aeb35eca11ae77050d17c12ead57d28b336cd1e8ce8523c80/044A0914.jpg" /> <img width="1181" height="1772" width_o="1181" height_o="1772" data-src="https://freight.cargo.site/t/original/i/643516628712510bf7db51f8ca9c55b14eb7c81ec7daa6e9379342ef5a7312c4/044A0876-Edit.jpg" data-mid="173100785" border="0" src="https://freight.cargo.site/w/1000/i/643516628712510bf7db51f8ca9c55b14eb7c81ec7daa6e9379342ef5a7312c4/044A0876-Edit.jpg" /> 2021 I Am Outside multi-channel audio, speakers, objects, light, room. Melbourne’s Living Museum of the West.&nbsp; Melbourne. <img width="4896" height="3264" width_o="4896" height_o="3264" data-src="https://freight.cargo.site/t/original/i/c2f13a60395dab08d33bf45a4f3283d5e7408286c8823350e20ad1534d8ee1a0/DSCF4712.JPG" data-mid="174405577" border="0" src="https://freight.cargo.site/w/1000/i/c2f13a60395dab08d33bf45a4f3283d5e7408286c8823350e20ad1534d8ee1a0/DSCF4712.JPG" /> <img width="800" height="1200" width_o="800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/d127ee4d1a0232339f13b4050cc77555dbd41f2899f883d84ca45f9d01d7a914/I-Am-Outside-10_Eamon-Sprod.png" data-mid="174286227" border="0" src="https://freight.cargo.site/w/800/i/d127ee4d1a0232339f13b4050cc77555dbd41f2899f883d84ca45f9d01d7a914/I-Am-Outside-10_Eamon-Sprod.png" /> <img width="3264" height="4896" width_o="3264" height_o="4896" data-src="https://freight.cargo.site/t/original/i/52fa24e210a5c06fa9b64b42f99005d3d04799c95577f92de39a5f039627b6af/I-Am-Outside-01_Eamon-Sprod.JPG" data-mid="105800531" border="0" src="https://freight.cargo.site/w/1000/i/52fa24e210a5c06fa9b64b42f99005d3d04799c95577f92de39a5f039627b6af/I-Am-Outside-01_Eamon-Sprod.JPG" /> <img width="3264" height="4896" width_o="3264" height_o="4896" data-src="https://freight.cargo.site/t/original/i/e2a4a1bd601e1dd757cac172e3dcb47ffe5aca938109b36bed130d042c192045/I-Am-Outside-08_Eamon-Sprod.JPG" data-mid="105800883" border="0" src="https://freight.cargo.site/w/1000/i/e2a4a1bd601e1dd757cac172e3dcb47ffe5aca938109b36bed130d042c192045/I-Am-Outside-08_Eamon-Sprod.JPG" /> <img width="3264" height="4896" width_o="3264" height_o="4896" data-src="https://freight.cargo.site/t/original/i/f28e2cc38b6c24a254afa88181998624c4943f8025fc09efaf747177d7b175f4/I-Am-Outside-05_Eamon-Sprod.JPG" data-mid="174286222" border="0" src="https://freight.cargo.site/w/1000/i/f28e2cc38b6c24a254afa88181998624c4943f8025fc09efaf747177d7b175f4/I-Am-Outside-05_Eamon-Sprod.JPG" /> <img width="3264" height="4896" width_o="3264" height_o="4896" data-src="https://freight.cargo.site/t/original/i/f344ac12933e5c3399bb5f3280f3419fd570fbd4ff1be31318e1a75b6a15a940/I-Am-Outside-06_Eamon-Sprod.JPG" data-mid="174286223" border="0" src="https://freight.cargo.site/w/1000/i/f344ac12933e5c3399bb5f3280f3419fd570fbd4ff1be31318e1a75b6a15a940/I-Am-Outside-06_Eamon-Sprod.JPG" /> <img width="3264" height="4896" width_o="3264" height_o="4896" data-src="https://freight.cargo.site/t/original/i/0fd49c253474b6c18cfefce210358d05b05547e57b2d0c5adc7951c74c04dc7a/DSCF4377.JPG" data-mid="174405755" border="0" src="https://freight.cargo.site/w/1000/i/0fd49c253474b6c18cfefce210358d05b05547e57b2d0c5adc7951c74c04dc7a/DSCF4377.JPG" /> <img width="3264" height="4896" width_o="3264" height_o="4896" data-src="https://freight.cargo.site/t/original/i/6a5ece992ea7e2700f360a9131a65ade370cd3018ffeb7f25f729d047ca28b0f/I-Am-Outside-03_Eamon-Sprod.JPG" data-mid="174286220" border="0" src="https://freight.cargo.site/w/1000/i/6a5ece992ea7e2700f360a9131a65ade370cd3018ffeb7f25f729d047ca28b0f/I-Am-Outside-03_Eamon-Sprod.JPG" /> <img width="800" height="1200" width_o="800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/af6b9513768272b77074aec36b41a3258cf16a08fab943b60c4e2d140742ba54/I-Am-Outside-11_Eamon-Sprod.png" data-mid="174286228" border="0" src="https://freight.cargo.site/w/800/i/af6b9513768272b77074aec36b41a3258cf16a08fab943b60c4e2d140742ba54/I-Am-Outside-11_Eamon-Sprod.png" /> <img width="3264" height="4896" width_o="3264" height_o="4896" data-src="https://freight.cargo.site/t/original/i/5dc8d58208051ee5ebb46129ef6b2b69a74075fdf2260f28c932e8fa8da48fe9/I-Am-Outside-07_Eamon-Sprod.JPG" data-mid="174286224" border="0" src="https://freight.cargo.site/w/1000/i/5dc8d58208051ee5ebb46129ef6b2b69a74075fdf2260f28c932e8fa8da48fe9/I-Am-Outside-07_Eamon-Sprod.JPG" /> <img width="4896" height="3264" width_o="4896" height_o="3264" data-src="https://freight.cargo.site/t/original/i/93b15cf01ce1bddf2e54816f59adc35cd873f74aa89807b20f41a5f97178fa8c/I-Am-Outside-04_Eamon-Sprod.JPG" data-mid="174286221" border="0" src="https://freight.cargo.site/w/1000/i/93b15cf01ce1bddf2e54816f59adc35cd873f74aa89807b20f41a5f97178fa8c/I-Am-Outside-04_Eamon-Sprod.JPG" /> <img width="4896" height="3264" width_o="4896" height_o="3264" data-src="https://freight.cargo.site/t/original/i/1b77a127057b83e83b558a7989661680ec8a8026ae8788ecd84fd5ea645cb24f/I-Am-Outside-02_Eamon-Sprod.JPG" data-mid="174286219" border="0" src="https://freight.cargo.site/w/1000/i/1b77a127057b83e83b558a7989661680ec8a8026ae8788ecd84fd5ea645cb24f/I-Am-Outside-02_Eamon-Sprod.JPG" /> <img width="3264" height="4896" width_o="3264" height_o="4896" data-src="https://freight.cargo.site/t/original/i/19c15cf42f81d42c513d0c5e83e69bb4d79ca2cf45b35d1a3a456ee5418ffb82/I-Am-Outside_11_Eamon-Sprod.JPG" data-mid="174286229" border="0" src="https://freight.cargo.site/w/1000/i/19c15cf42f81d42c513d0c5e83e69bb4d79ca2cf45b35d1a3a456ee5418ffb82/I-Am-Outside_11_Eamon-Sprod.JPG" /> 2020 Untitled (I Am Inside) private viewing speakers, light, things, room. Meat Market Stables. Melbourne. <img width="4896" height="3264" width_o="4896" height_o="3264" data-src="https://freight.cargo.site/t/original/i/208fe1457419bc2745ef1daadaa01d23b700d307c578cc549757251c9402aa75/DSCF4179.JPG" data-mid="174405192" border="0" src="https://freight.cargo.site/w/1000/i/208fe1457419bc2745ef1daadaa01d23b700d307c578cc549757251c9402aa75/DSCF4179.JPG" /> <img width="3264" height="4896" width_o="3264" height_o="4896" data-src="https://freight.cargo.site/t/original/i/083f51e334a98b65e0072bd87fbc7a16a7a944edf11e314b7c0adb2303ee4fbc/DSCF4134.JPG" data-mid="103689541" border="0" src="https://freight.cargo.site/w/1000/i/083f51e334a98b65e0072bd87fbc7a16a7a944edf11e314b7c0adb2303ee4fbc/DSCF4134.JPG" /> <img width="3264" height="4896" width_o="3264" height_o="4896" data-src="https://freight.cargo.site/t/original/i/d309ae905124b4d61b6e977b3c11efc66f9c220bfb9f138cf70492380ae20db4/DSCF4221.JPG" data-mid="103689504" border="0" src="https://freight.cargo.site/w/1000/i/d309ae905124b4d61b6e977b3c11efc66f9c220bfb9f138cf70492380ae20db4/DSCF4221.JPG" /> <img width="3264" height="4896" width_o="3264" height_o="4896" data-src="https://freight.cargo.site/t/original/i/a6a789d6b549b384b69eda915794b7bc2d6b384f11b74df870962acffc790608/DSCF4229.JPG" data-mid="103689494" border="0" src="https://freight.cargo.site/w/1000/i/a6a789d6b549b384b69eda915794b7bc2d6b384f11b74df870962acffc790608/DSCF4229.JPG" /> <img width="3264" height="4896" width_o="3264" height_o="4896" data-src="https://freight.cargo.site/t/original/i/3a128b796f88c105f605f2d783152b014067f5c88c65a5281e7942b2423be822/DSCF4131.JPG" data-mid="174405189" border="0" src="https://freight.cargo.site/w/1000/i/3a128b796f88c105f605f2d783152b014067f5c88c65a5281e7942b2423be822/DSCF4131.JPG" /> <img width="4896" height="3264" width_o="4896" height_o="3264" data-src="https://freight.cargo.site/t/original/i/6d5002a3642b9dee58d4f70a5f15f006ff0a0322397057aac2ab6e9ae72732d8/DSCF4151.JPG" data-mid="174405191" border="0" src="https://freight.cargo.site/w/1000/i/6d5002a3642b9dee58d4f70a5f15f006ff0a0322397057aac2ab6e9ae72732d8/DSCF4151.JPG" /> <img width="4896" height="3264" width_o="4896" height_o="3264" data-src="https://freight.cargo.site/t/original/i/3e8e5b5eb172170dc4059ee9c0ee32bf9afd2181f7ac454ad8af2198f12cb4a4/DSCF4180.JPG" data-mid="174405193" border="0" src="https://freight.cargo.site/w/1000/i/3e8e5b5eb172170dc4059ee9c0ee32bf9afd2181f7ac454ad8af2198f12cb4a4/DSCF4180.JPG" /> 2019 Homework sound, light, house Melbourne Audio arranged for The Radia Network here <img width="1920" height="1088" width_o="1920" height_o="1088" data-src="https://freight.cargo.site/t/original/i/9b1fde572cb80981a66d64784baf79167246ef0fd89947c89ed78c564259fc03/HOMEWORK_01.png" data-mid="53870400" border="0" src="https://freight.cargo.site/w/1000/i/9b1fde572cb80981a66d64784baf79167246ef0fd89947c89ed78c564259fc03/HOMEWORK_01.png" /> <img width="1920" height="1088" width_o="1920" height_o="1088" data-src="https://freight.cargo.site/t/original/i/fa811b8c654c31b6be67dc82b4687f636614c28bda574160a79c46432d9824d1/HOMEWORK_03.png" data-mid="53870402" border="0" src="https://freight.cargo.site/w/1000/i/fa811b8c654c31b6be67dc82b4687f636614c28bda574160a79c46432d9824d1/HOMEWORK_03.png" /> <img width="3024" height="3024" width_o="3024" height_o="3024" data-src="https://freight.cargo.site/t/original/i/1210847aa7f941882a488131d863e132f9325b3da97f33f334a2c5047fd876db/20190920_143755.jpg" data-mid="174411336" border="0" src="https://freight.cargo.site/w/1000/i/1210847aa7f941882a488131d863e132f9325b3da97f33f334a2c5047fd876db/20190920_143755.jpg" /> <img width="1920" height="1088" width_o="1920" height_o="1088" data-src="https://freight.cargo.site/t/original/i/99f98070bc3ac71a3767809e16ce14a820d4647e19cadb8b82bfcc78cdd8fecf/HOMEWORK_05.png" data-mid="53870403" border="0" src="https://freight.cargo.site/w/1000/i/99f98070bc3ac71a3767809e16ce14a820d4647e19cadb8b82bfcc78cdd8fecf/HOMEWORK_05.png" /> <img width="1920" height="1088" width_o="1920" height_o="1088" data-src="https://freight.cargo.site/t/original/i/c2df2c1a1ebf66459a7d3a9fa54ae729209dbb4139f6f49feca6efeee897a2df/HOMEWORK_02_crop.png" data-mid="53870517" border="0" src="https://freight.cargo.site/w/1000/i/c2df2c1a1ebf66459a7d3a9fa54ae729209dbb4139f6f49feca6efeee897a2df/HOMEWORK_02_crop.png" /> <img width="1920" height="1088" width_o="1920" height_o="1088" data-src="https://freight.cargo.site/t/original/i/72e789e49dc8581a7ecb63312bd8ec95982ee678b043c5999f1d55d4ec8e3f49/HOMEWORK_04.png" data-mid="174411279" border="0" src="https://freight.cargo.site/w/1000/i/72e789e49dc8581a7ecb63312bd8ec95982ee678b043c5999f1d55d4ec8e3f49/HOMEWORK_04.png" /> <img width="1920" height="1088" width_o="1920" height_o="1088" data-src="https://freight.cargo.site/t/original/i/1bff50b195a85f90bc51a9e8b93dafbdcfc7e4d04a4158b9aec791bd8c5ad370/test00756.png" data-mid="174411362" border="0" src="https://freight.cargo.site/w/1000/i/1bff50b195a85f90bc51a9e8b93dafbdcfc7e4d04a4158b9aec791bd8c5ad370/test00756.png" /> <img width="1920" height="1088" width_o="1920" height_o="1088" data-src="https://freight.cargo.site/t/original/i/cdcda39be0e8b7242afd50aff9bbc54ae166c2dc13a62aee91e963f78e885a37/test00271.png" data-mid="174411359" border="0" src="https://freight.cargo.site/w/1000/i/cdcda39be0e8b7242afd50aff9bbc54ae166c2dc13a62aee91e963f78e885a37/test00271.png" /> <img width="1920" height="1088" width_o="1920" height_o="1088" data-src="https://freight.cargo.site/t/original/i/51495609fa6656bfb52e6960dd6e751d22c94ef6abf72ef11000a7ab1957e47c/test00216.png" data-mid="174411358" border="0" src="https://freight.cargo.site/w/1000/i/51495609fa6656bfb52e6960dd6e751d22c94ef6abf72ef11000a7ab1957e47c/test00216.png" /> <img width="3024" height="3024" width_o="3024" height_o="3024" data-src="https://freight.cargo.site/t/original/i/4532e4c66b78f65dce1c2e94a5b6dcffd140ac9819c8352a26eb96a79abe8072/20191005_173126.jpg" data-mid="174411337" border="0" src="https://freight.cargo.site/w/1000/i/4532e4c66b78f65dce1c2e94a5b6dcffd140ac9819c8352a26eb96a79abe8072/20191005_173126.jpg" /> <img width="1920" height="1088" width_o="1920" height_o="1088" data-src="https://freight.cargo.site/t/original/i/3452780b1b357079daf977b5a0d5ac7025e4071b122a386891917dde5eb31fcc/test00201.png" data-mid="174411357" border="0" src="https://freight.cargo.site/w/1000/i/3452780b1b357079daf977b5a0d5ac7025e4071b122a386891917dde5eb31fcc/test00201.png" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/f39dd6cac273a7d2200940f7d18cdad9608ffb7810f23243e6bb0bb64229dc2a/Atest00931.png" data-mid="174411354" border="0" src="https://freight.cargo.site/w/1000/i/f39dd6cac273a7d2200940f7d18cdad9608ffb7810f23243e6bb0bb64229dc2a/Atest00931.png" /> <img width="1920" height="1088" width_o="1920" height_o="1088" data-src="https://freight.cargo.site/t/original/i/86ad184b754932f7c5886671e1f5f45c3123a03444e207a03ecb312c2770458b/test00896.png" data-mid="174411363" border="0" src="https://freight.cargo.site/w/1000/i/86ad184b754932f7c5886671e1f5f45c3123a03444e207a03ecb312c2770458b/test00896.png" /> <img width="1920" height="1088" width_o="1920" height_o="1088" data-src="https://freight.cargo.site/t/original/i/36f1d1848821a4f33c214a298b7e93eada651f7fcb95b42e15da929e40c6b63d/test00341.png" data-mid="174411360" border="0" src="https://freight.cargo.site/w/1000/i/36f1d1848821a4f33c214a298b7e93eada651f7fcb95b42e15da929e40c6b63d/test00341.png" /> 2018 Containersite-responsive performance private location - Melbourne <img width="500" height="333" width_o="500" height_o="333" data-src="https://freight.cargo.site/t/original/i/a6fd42ce3710351503adba12ec2edaafd3b727f61da72c5b2025373e50a8a8b0/DSCF0176.JPG" data-mid="29811777" border="0" src="https://freight.cargo.site/w/500/i/a6fd42ce3710351503adba12ec2edaafd3b727f61da72c5b2025373e50a8a8b0/DSCF0176.JPG" /> <img width="500" height="333" width_o="500" height_o="333" data-src="https://freight.cargo.site/t/original/i/3a77c805c0475dd7d25ee1d561d39a1d3f6ced183351f62b56d4b3fbf9c945f0/DSCF0056.JPG" data-mid="29811776" border="0" src="https://freight.cargo.site/w/500/i/3a77c805c0475dd7d25ee1d561d39a1d3f6ced183351f62b56d4b3fbf9c945f0/DSCF0056.JPG" /> <img width="960" height="720" width_o="960" height_o="720" data-src="https://freight.cargo.site/t/original/i/e9f4ae1db4e7088af00e977e14b88c55c478afeb1fdea5f015f5833b8e79e759/Jennifer-Callaway-02.jpg" data-mid="174410960" border="0" src="https://freight.cargo.site/w/960/i/e9f4ae1db4e7088af00e977e14b88c55c478afeb1fdea5f015f5833b8e79e759/Jennifer-Callaway-02.jpg" /> <img width="2111" height="2111" width_o="2111" height_o="2111" data-src="https://freight.cargo.site/t/original/i/1a5305b08bd5bab3fd23797c3508006f2cdc8db6c7e9bfa0b497bd9cd8dd9dc1/HipstamaticPhoto-542444370.968171.jpg" data-mid="174411003" border="0" src="https://freight.cargo.site/w/1000/i/1a5305b08bd5bab3fd23797c3508006f2cdc8db6c7e9bfa0b497bd9cd8dd9dc1/HipstamaticPhoto-542444370.968171.jpg" /> <img width="2448" height="2448" width_o="2448" height_o="2448" data-src="https://freight.cargo.site/t/original/i/ade07a3c0b5a0c13911f7a9d2b700e73906265618aff9b3e9cb59a741016eb22/HipstamaticPhoto-542444195.979021.jpg" data-mid="174411006" border="0" src="https://freight.cargo.site/w/1000/i/ade07a3c0b5a0c13911f7a9d2b700e73906265618aff9b3e9cb59a741016eb22/HipstamaticPhoto-542444195.979021.jpg" /> <img width="2246" height="2246" width_o="2246" height_o="2246" data-src="https://freight.cargo.site/t/original/i/7345e245c1174ba2fc97e2766575f403af6ccce5c4d81764160a4e18ca5e1767/HipstamaticPhoto-542444180.258514.jpg" data-mid="174411001" border="0" src="https://freight.cargo.site/w/1000/i/7345e245c1174ba2fc97e2766575f403af6ccce5c4d81764160a4e18ca5e1767/HipstamaticPhoto-542444180.258514.jpg" /> 2017 Housekeeping speakers, things, roomBlindside, Melbourne. Housekeeping CD&nbsp; here <img width="1776" height="1184" width_o="1776" height_o="1184" data-src="https://freight.cargo.site/t/original/i/b4024d0fe2be0befb1b20b68642850c760347fd551483a02b63cda83e1b8335f/2017_0801_19110900.jpg" data-mid="174410826" border="0" src="https://freight.cargo.site/w/1000/i/b4024d0fe2be0befb1b20b68642850c760347fd551483a02b63cda83e1b8335f/2017_0801_19110900.jpg" /> <img width="1776" height="1184" width_o="1776" height_o="1184" data-src="https://freight.cargo.site/t/original/i/5bf15ed57b0d987bfb7b3b26a1627ef4e2b6445b5455c851132382d3df2e1d96/2017_0801_191024002.jpg" data-mid="174410660" border="0" src="https://freight.cargo.site/w/1000/i/5bf15ed57b0d987bfb7b3b26a1627ef4e2b6445b5455c851132382d3df2e1d96/2017_0801_191024002.jpg" /> <img width="1184" height="1776" width_o="1184" height_o="1776" data-src="https://freight.cargo.site/t/original/i/d5431c2f4b8cf42977f5c070cb7f7c706c1c452148378d897b08d9e1412fb870/2017_0801_19104900.jpg" data-mid="174410661" border="0" src="https://freight.cargo.site/w/1000/i/d5431c2f4b8cf42977f5c070cb7f7c706c1c452148378d897b08d9e1412fb870/2017_0801_19104900.jpg" /> <img width="1776" height="1184" width_o="1776" height_o="1184" data-src="https://freight.cargo.site/t/original/i/98c8ffdcb543b7b5c612396ffc1edad12140ecf0afd69eeff416d5d9b9fc264e/2017_0801_19154200.jpg" data-mid="174410663" border="0" src="https://freight.cargo.site/w/1000/i/98c8ffdcb543b7b5c612396ffc1edad12140ecf0afd69eeff416d5d9b9fc264e/2017_0801_19154200.jpg" /> <img width="427" height="285" width_o="427" height_o="285" data-src="https://freight.cargo.site/t/original/i/1b77204c9d3dae460a5c500f18eb0f007f6a40b7e144b8857375dbed09f50307/2017_0801_19151100.jpg" data-mid="29811772" border="0" src="https://freight.cargo.site/w/427/i/1b77204c9d3dae460a5c500f18eb0f007f6a40b7e144b8857375dbed09f50307/2017_0801_19151100.jpg" /> <img width="1776" height="1184" width_o="1776" height_o="1184" data-src="https://freight.cargo.site/t/original/i/df50719a1a6d191172dc550ecc223a0f361b06ed37807564c6cd2135ecbb0cd0/2017_0801_19173300.jpg" data-mid="174410665" border="0" src="https://freight.cargo.site/w/1000/i/df50719a1a6d191172dc550ecc223a0f361b06ed37807564c6cd2135ecbb0cd0/2017_0801_19173300.jpg" /> <img width="1776" height="1184" width_o="1776" height_o="1184" data-src="https://freight.cargo.site/t/original/i/4cb9ce959730580cc8fd49a12d618a1abc9d20cd23c6431146a1170c8207819b/2017_0801_19163600.jpg" data-mid="174410664" border="0" src="https://freight.cargo.site/w/1000/i/4cb9ce959730580cc8fd49a12d618a1abc9d20cd23c6431146a1170c8207819b/2017_0801_19163600.jpg" /> 2015 careful arrangements of sonic rubbishspeakers, things. Reheat Festival, Kleylehof, Austria. <img width="500" height="333" width_o="500" height_o="333" data-src="https://freight.cargo.site/t/original/i/f7f8cb557717494f6e7b2ca7bdcfef1b08c74d799b1354f8c1c354058d15bb86/Eamon-Sprod_image-05_2015_REHEAT-festival.JPG" data-mid="29811781" border="0" src="https://freight.cargo.site/w/500/i/f7f8cb557717494f6e7b2ca7bdcfef1b08c74d799b1354f8c1c354058d15bb86/Eamon-Sprod_image-05_2015_REHEAT-festival.JPG" /> <img width="500" height="334" width_o="500" height_o="334" data-src="https://freight.cargo.site/t/original/i/7200aae173039aee3669704c57044d43dcbbcda0867b3cb83d3d9f4c28db3868/reheat-02.JPG" data-mid="29811783" border="0" src="https://freight.cargo.site/w/500/i/7200aae173039aee3669704c57044d43dcbbcda0867b3cb83d3d9f4c28db3868/reheat-02.JPG" /> Egress speakers, things, stairwell TCB, Melbourneshort video documentation here <img width="427" height="284" width_o="427" height_o="284" data-src="https://freight.cargo.site/t/original/i/409c1be45c20c5ad9c62aa9a4e93912171dcd4dcc1a88af0a730144a68712ee4/DSCF2563_427.JPG" data-mid="29811780" border="0" src="https://freight.cargo.site/w/427/i/409c1be45c20c5ad9c62aa9a4e93912171dcd4dcc1a88af0a730144a68712ee4/DSCF2563_427.JPG" /> <img width="427" height="284" width_o="427" height_o="284" data-src="https://freight.cargo.site/t/original/i/dca5387aa757e4ced568952b487b60ecd534b9b448f95cc74d486d23591e8ce2/DSCF2445_427.JPG" data-mid="29811778" border="0" src="https://freight.cargo.site/w/427/i/dca5387aa757e4ced568952b487b60ecd534b9b448f95cc74d486d23591e8ce2/DSCF2445_427.JPG" /> 2013 Bogong Electric site-responsive performanc. Bogong Center of Sound Culture. Victoria Audio arranged for Tsonami Festival radio &nbsp;here <img width="1250" height="704" width_o="1250" height_o="704" data-src="https://freight.cargo.site/t/original/i/ef2c21172fe7d77ad9014c8abe1e0366b78d2df10915690513889649b40fcc86/Eamon-1370x771_o.jpg" data-mid="34308191" border="0" src="https://freight.cargo.site/w/1000/i/ef2c21172fe7d77ad9014c8abe1e0366b78d2df10915690513889649b40fcc86/Eamon-1370x771_o.jpg" /> <img width="300" height="202" width_o="300" height_o="202" data-src="https://freight.cargo.site/t/original/i/f78e276b355876885e1f6106be3f24eae60475b62b2f9f9175e776929173cf39/wall-close-thumb.jpg" data-mid="34307890" border="0" src="https://freight.cargo.site/w/300/i/f78e276b355876885e1f6106be3f24eae60475b62b2f9f9175e776929173cf39/wall-close-thumb.jpg" /> 2012Waking of the Insects West Space, Melbourne. <img width="500" height="375" width_o="500" height_o="375" data-src="https://freight.cargo.site/t/original/i/a5a4f2fcb74d077d44726363053e41536f930e2d2b34708c5edec05db4585bf5/P9152330.JPG" data-mid="29811782" border="0" src="https://freight.cargo.site/w/500/i/a5a4f2fcb74d077d44726363053e41536f930e2d2b34708c5edec05db4585bf5/P9152330.JPG" /> <img width="500" height="353" width_o="500" height_o="353" data-src="https://freight.cargo.site/t/original/i/470e13745d473dd02c43b4808b592829e851e1945b071da9d6b1b6935e5a3bc7/small_IMG_5764_hero.jpg" data-mid="29811785" border="0" src="https://freight.cargo.site/w/500/i/470e13745d473dd02c43b4808b592829e851e1945b071da9d6b1b6935e5a3bc7/small_IMG_5764_hero.jpg" /> Active Crossover: Castlemainewith Simon Wetham, Lizzie Pogson, Jacques Soddell. ICU, Castlemaine. <img width="500" height="375" width_o="500" height_o="375" data-src="https://freight.cargo.site/t/original/i/5bb8c4d98c47ce01f1474a8720fa7b290ed0305a4c0a94e2256dfb98c0c100e4/Active-C-022.jpg" data-mid="29811774" border="0" src="https://freight.cargo.site/w/500/i/5bb8c4d98c47ce01f1474a8720fa7b290ed0305a4c0a94e2256dfb98c0c100e4/Active-C-022.jpg" /> <img width="500" height="335" width_o="500" height_o="335" data-src="https://freight.cargo.site/t/original/i/6a1a40046f9ff3f868eba366e0fb5d7c7bf517e39ff07dd7d0da967156f0f437/Active-C-014.jpg" data-mid="29811773" border="0" src="https://freight.cargo.site/w/500/i/6a1a40046f9ff3f868eba366e0fb5d7c7bf517e39ff07dd7d0da967156f0f437/Active-C-014.jpg" /> 2011 A transcendental fissure in the immanent fabric of things Melbourne CBDMagnetic Traces Les Instants Chavirés, Paris 2010 Everyday Internalised Rubbishcollaboration with Camilla Hannan Sub12, Substation, Newport One day the rain will comecollaboration with Camilla Hannan West Wing, Melb Central 2009 Magnetic Traces RMIT project space and West Space, Melbourne.Artefact collaboration with Camilla Hannan and Thembi Soddell Totally Huge New Music Festival, Perth 2006 Groundfault: archive of a decayed futureSeventh Gallery, Fitzroy Map≠Territory: archive of a decayed futureVictoria Park Gallery, Abbotsford 2005 HEXEthel Osbourne Hall, RMIT, Melb 2004 This Sudden East Listening, Liquid Architecture RMIT First Site, Melb 2002 The SilenceCollaboration with Emily Jones PB Gallery, Swinburne Institute of TAFE, Prahran